Âşık Ömer, great seventeenth-century minstrel poet: his life, his disputed link with Merzifon and nine poems recorded in the Merzifon Cönkü.
Âşık Ömer, great minstrel of the seventeenth century: his disputed birthplace and death date, the dating problem of his supposed Merzifon visit, and his poems in the Merzifon Cönkü.
The first quatrain of a koşma by Âşık Ömer in the Merzifon Cönkü: a lover whose complaint reaches from earth to sky gives the beloved a choice between his ruin and her coquetry.
The first quatrain of a divan by Âşık Ömer in the Merzifon Cönkü: the face of the king of the fair is likened to the suras al-Qadr and al-Rahman, and the lover reads verses in it.
The first quatrain of a divan by Âşık Ömer in the Merzifon Cönkü: questions to a heart that will plunge into love's sea, be tossed by fate and fade in the wind of death.
The first quatrain of a divan by Âşık Ömer in the Merzifon Cönkü: a lover cries out to his friends that bloodthirsty robbers have taken his rose-faced, dagger-wearing beloved.
The first two lines of a poem by Âşık Ömer in the Merzifon Cönkü: a lover who asks to see the beloved's beauty and to pluck a rose from a cheek opened rose upon rose.
Two couplets of Âşık Ömer's prayer gazel in the Merzifon Cönkü: an appeal to God, for the love of the Prophet, not to be dependent on men, the unjust and ignorant, or enemies.
The first quatrain of a divan by Âşık Ömer in the Merzifon Cönkü: a lover who has not laughed since giving his heart, will not learn, and leaves the beloved to God instead of cursing.
Six lines of a divan by Âşık Ömer in the Merzifon Cönkü: locks like the letter dâl, the ruined city of the body, brows like a double pistol and praise of the chief of the fair.
The first quatrain of a divan by Âşık Ömer in the Merzifon Cönkü: a beloved with hair like Leylâ's, a nightingale tongue and hyacinth locks, and a heart weeping blood from longing.
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