Halil İbrahim Alkaç (1934-1994) of Gümüşhacıköy: the saz he learned from zâkirs, the destans he had printed in 1959-1965 and his Bafra plane destan.
Mehmet Karagöz, named in the list of Gümüşhacıköy minstrels: the source of the name, his tie to Amasya and why he must not be confused with Karagöz of Kayseri.
Abdullah Doğan, named in the list of Gümüşhacıköy minstrels: the source of the name, his tie to Amasya and why no other record of his life or poems has been found.
Fehmi Dedeoğlu, named in the list of Gümüşhacıköy minstrels: the source of the name, his tie to Amasya and why no other record of his life or poems has been found.
Âşık Veli, named in the list of Gümüşhacıköy minstrels: the source of the name, the tie to Amasya and why poems signed Veli cannot be assigned to him.
Âşık Yıldız, named in the list of Gümüşhacıköy minstrels: the source of the name, the tie to Amasya and why no other record of the minstrel's life has been found.
Fukara Derviş, named in the list of Gümüşhacıköy minstrels: the source of the name, his tie to Amasya and why no other record of his life or poems has been found.
The poetry of Âşık Özlemî (Muammer Badem) of Gümüşhacıköy: his master-apprentice path, the story of his pen name, his düvaz and deyiş, "Değme Felek" and other songs of parting.
Dertli Garip, Bektashi poet from Kırca in Gümüşhacıköy: his path begun with Derviş Ruhan, the pen name he chose himself, his eleven poems and his own commentary on them.
Hüseyin Çemrek, the minstrel who went from shepherding in Yukarı Ovacık, Gümüşhacıköy, to the stage: his gold record, AŞ-DER, his view of minstrelsy and his book.
From Bronze Age slag to the Seljuk mint, the Köprülü endowments and the mine supervisors of the 1800s, the history of silver mining at Gümüşhacıköy.
From Çukur Dede to Garip Hâfız at the Haliliye Madrasa, the tombs, dervish lodges and spiritual figures of Gümüşhacıköy, with documented history kept apart from tradition.
Gümüşhacıköy, Taşova, Suluova and the other districts resisted band attacks in 1919-1923, sent delegates and carried supplies to the front, from sandals to transport animals.
Gümüşhacıköy, in the far west of Amasya, is a mining town known for its silver mine, Seljuk mint, Köprülü Mehmed Pasha's bedesten and its keşkek tradition.
Coppersmithing, samovar making, carpet, peştamal and hemp weaving in Amasya are traced through the official inventory and archive records, alongside their condition today.
Muammer Badem, known as Özlemî, was Mahzuni Şerif's apprentice and the author of "Değme Felek", a folk poet born and buried in the village of İmirler.
Born in Keçiköy in Gümüşhacıköy, Sadık Gürbüz turned from law and the City Theatres to the türkü in the footsteps of Ruhi Su, becoming an artist who interprets folk music through poets' verses and polyphonic arrangements.
From the silver-lead pits of Gümüşhacıköy to the Çeltek lignite, the Terziköy and Hamamözü hot springs and industrial minerals, Amasya's underground resources.
The bedesten that Köprülü Mehmed Pasha built in 1660 with his complex is the core of the Gümüşhacıköy bazaar, and its clock tower carries the district's trading past.
Endowed in 1660 by Köprülü Mehmed Pasha with a caravanserai, bedesten and bathhouse after he received the Gümüş Mine as an arpalık, the mosque was demolished and rebuilt larger in 1898-99.
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