Hubbî Ayşe Hatun, companion of Selim II from an Amasya family: her life, literary character and the poems that survive in biographical anthologies and fragments.
The poetry of Hubbî Hatun, from a family of Amasya and companion to Selim II: fragments of her lost mesnevi Cemşîd ü Hurşîd, the holy-war poems of İmâdü'l-cihâd and the biographers' praise.
Ten couplets from the opening of Hubbî Hatun's lost mesnevi Cemşîd ü Hurşîd, preserved by Âşık Çelebi: death, the wish for a lasting work and a woman poet in feminine adjectives.
Seven couplets from Hubbî Hatun's lost mesnevi: an inner dialogue that turns the formula of women "deficient in reason" to her advantage, saying criticism shames the critic.
The comparison of prayer from Hubbî Hatun's mesnevi quoted by three anthologies: four couplets likening prayer to Joseph and the poet to the woman who came to buy him with yarn.
Descriptive couplets from Hubbî Hatun's lost mesnevi kept by the anthologies: a morning that raises a golden canopy, water writing a verse of mercy, an armoured sea, love's alchemy.
Hubbî Hatun's ghazal with the refrain "holy war" in İmâdü'l-cihâd: five couplets that carry love poetry's rose garden and light into the praise of war, an example of her "manly" voice.
Hubbî Hatun's three-couplet mesnevi in İmâdü'l-cihâd: a short poem of counsel that calls holy war the Prophet's craft and counts those who love the world's show as blind.
Couplets with Hubbî Hatun's pen name from the holy-war poems of İmâdü'l-cihâd, with the "age of Khan Selim" couplet that dates the work to Selim II's reign: seven couplets together.
The couplet Hubbî Hatun is said to have spoken against the gossip about her: a bearing that has gone in and out of a thousand languid eyes yet stays straight as a kohl stick.
Hubbî Hatun's ghazal with the refrain "of the warriors": five couplets showing warriors as lovers whose salve is their own blood, who drink from Kawthar, with a reproach to the Sufi.
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