Kul Hüseyin's deyiş of counsel on old age: no companion left who knows his state, years reaching seventy, fallen teeth, and a falcon that has no bird left to hunt.
Kul Hüseyin's eight-syllable nefes: the believer who sees God, God who is in love with His servant, the ember of beauty burning the breast, and a dervish clothed in the cloak of the lover.
Kul Hüseyin's poem for a beloved fallen ill: a rose complexion fading day by day, a lover ready to wear iron sandals in search of a cure, and a beloved dressed in black for mourning.
Kul Hüseyin's poem of counsel "heart, do not grieve for this passing world": love that passes like a flood, mountains not crossed without effort, a warning against slander.
Kul Hüseyin's call to the Mahdi: the refrain "we are soldiers of the Mahdi, master of the age", devotion to Hacı Bektaş and the words "we are Alevi".
Kul Hüseyin's nefes collected and made known by Âşık Gülabi: the refrain "the blessing of Abdal Musa has reached us", the tomb within seven gates and the house of Kaygusuz Sultan.
Kul Hüseyin's nefes with the redif "does it grow weary?": serving a just king, the branch bearing its fruit, the arm that embraces in fellowship, and friendship exalted over blind zealotry.
Kul Hüseyin's nefes in the Battalname tradition: Seyyid Battal Gazi, who set out from Malatya to avenge his father, his war cry on the field, and the warrior who brought Rum to Islam.
Kul Hüseyin's eight-syllable nefes: people running wild, digging pits for one another, manners and modesty gone, patience with a sharp sword, and the refrain "İllallahi ve sabirin".
Kul Hüseyin's nefes with the redif "they said": counsel against gloom, news from one of a thousand Hızırs, sages who know a person by his voice, and "look to yourself" to the zealot.
Kul Hüseyin's nefes with the refrain "I seek my wish from you, O Ali": a love that lasts night and day, Ali who will draw Zülfikar with love, and a heart that will not give up.
Kul Hüseyin's poem with the refrain "do not flee, mother deer, I am no hunter": the hennaed deer, kohl-dark eyes, a mother deer leaving her fawn, and a lover who carries barley.
Kul Hüseyin's nefes "I saw your face and became drunk with you": elif for God, mim for Muhammad, ayn for Ali; the order swimming in the water of gnosis, and the master who outplays us.
Kul Hüseyin's poem collected and made known by Erdal Erzincan: "man is part by part, the earth vein by vein", brows like lam-elif, the wish to be a belt on a slender waist.
Kul Hüseyin's düvaz-ı imam with the redif "is in you": the secret of the Twelve Imams within man, "you seek the Kaaba, the Kaaba is in you", and a lineage reaching to Şeyh Safi.
Kul Hüseyin's nefes with the redif "is ours": God as the guest in the transcendent city, Ali's healing, the Lord seen with the eye, the precepts of Şeyh Safi and a rite of seventeen persons.
Kul Hüseyin's poem in praise of the summer pasture: opening hyacinths and roses, melting snows, narcissus and violets growing together, a gentle wind, and the yayla left empty.
Kul Hüseyin's nefes known as his question to Kul Himmet, "why did the community of the saved come to be": questions on the pilgrim before Adam, the Forty, Ali's sword and the world's end.
Kul Hüseyin's incomplete three-quatrain nefes: saints patient under trial, Abraham cast into the fire, Joseph in prison, Ali stabbed and Hüseyin martyred at Karbala.
A twenty-quatrain deyiş of religious law attributed to Kul Hüseyin: verses on ablution, prayer, fasting and alms asking "tell me, let us see", and a story about the kadı of Gümüş.
Kul Hüseyin's three-quatrain düvaz-ı imam: a heart unafraid at the Judgement, God, Muhammad and Ali, Zeynel in the dungeon, the saint who turns unbelief to faith, and the Twelve Imams.
Kul Hüseyin's poem of counsel with the refrain "come, heart, let us be lower than others": the garden that made itself earth, the poplar that never touched the sky, the book of love.
Kul Hüseyin's eight-syllable poem with the redif "from the hand of": the cup from the pir's hand, singing cranes, melting snows and a lover who fears the enemy's tongue.
Kul Hüseyin's poem with the redif "the two of them": two beauties seated right and left, garments of green, the shroud, and Jesus and the Mahdi who will order the world.
Kul Hüseyin's düvaz-ı imam opening "you seek the qibla, the qibla is in you": a face made of light, angels bowing to Adam, and the secret of the Twelve Imams within man.
Kul Hüseyin's eight-syllable nefes with the redif "is Ali": the cypress and plane in Muhammad's garden, the vein in the soul, the belt at the waist, and Ali seen in every imam.
Kul Hüseyin's nefes of counsel with the redif "how will it be": the road that does not lie in words, the belt from the pir's hand, and the search for a guide to the Friend.
Kul Hüseyin's nefes with the redif "there is": strife among the people of the age, manners gone, people worshipping greed, the ledger of deeds and the scale in the grave.
Kul Hüseyin's nefes with the redif "did you hear?": the sultan of sultans passed away, the door of mercy locked, the door of darkness opened, and a sharp reproach.
Kul Hüseyin's nefes with the redif "let him come": a call to one who would see the radiant face, pour wine in the cem and kill the devil in his self.
Kul Hüseyin's poem "now one pain of ours has become five": a pain that grew from one to ten, a seeker who left the pir's precept, and awaited summers that turned to winter.
Kul Hüseyin's "destan of the ages": the stages of human life from birth to a hundred; a fresh sapling, a cypress stature, a caravan's load, an owl-haunted ruin and a station near God.
Kul Hüseyin's eight-syllable poem with the redif "turns": brave men on Arab horses, a beloved with sugared lips, a rosebud on a red cheek, and a soul turned into a sacrifice.
Kul Hüseyin's lament-nefes for Imam Hüseyin: a heart longing for the desert of Karbala, the wish to stand at the gallows like Mansur, dervishes in the semah and orphaned lambs.
Kul Hüseyin's nefes with the refrain "did you see, my crane?": Mother Fatma in Medina, Ali at Najaf, Hüseyin at Karbala, and questions put to a crane touring the holy places.
Kul Hüseyin's twenty-quatrain tevhid and miraçlama: Ali seen upon the Throne, the Burak of the Ascension, the cup and grape of the Forty, and "your flesh is my flesh".
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