The last of the four elemental quatrains closing the Tażarru‘-nâme, warning man, made of air, not to lean on the wind and to wake from heedlessness before death.
A ghazal with the refrain "güç" (hard) under the pen name Mihrî in a Kütahya miscellany, of uncertain attribution, on how hard parting, union and the beloved's gaze are.
A ghazal with the refrain "ḳadeḥ" (wine cup) under the pen name Mihrî in a Kütahya miscellany, of uncertain attribution, ending with the cup as Iskender's mirror.
A ghazal under the pen name Mihrî in a Kütahya miscellany, of uncertain attribution, about a beloved who shows no mercy even when heart and soul are spent and wants gold.
A ghazal under the pen name Mihrî with the refrain "bilmem" (I do not know), in a Kütahya miscellany: longing, union as a festival, and a last couplet in the beloved's voice.
A ghazal under the pen name Mihrî with the refrain "gelmez" (does not come): a beloved like a young Anka bird, the corner of grief, and a waiting closed by redd-i matla.
![Miscellany Ghazal 6 — Kimde var ol ruḫı o çeşm[i] o ḫāl ü ebruv[ān]](https://amasya05.com/storage/gallery/4b72c3731324c09a525a3d8012c6268f.webp)
A ghazal under the pen name Mihrî in a Kütahya miscellany: a beloved bound for Hejaz and Damascus, the beauties of Istanbul, and a couplet cited for Mihrî's Istanbul.
A ghazal under the pen name Mihrî with the refrain "yok" (I have none): a list of lacks from the rose garden to the book of parting, with a pun on dust and wind.
A ghazal under the pen name Mihrî with the refrain "itmiş": union is a free good in the bazaar paid for with life, and a hidden jewel of love echoes a divan couplet.
A ghazal under the pen name Mihrî with the refrain "ṣad efsūs" (a hundred pities): lips turned to another, base fortune, rivals, and a thorny rose who breaks her word.
A praise poem without a pen name, headed "Mihrî-i Rüsvâ" in the miscellany: a tulip-cheeked beloved, the moon of the longest night, a cupbearer and the mole on the heart.
A four-couplet miscellany ghazal under the pen name Mihrî whose opening couplet lacks a rhyme, so it may belong with the preceding poem; the poet ends lamenting her disgrace.
In an anthology ghazal under the pen name Mihrî, the eyebrow is a bow, the lash an arrow and the glance an executioner's sword; down on the cheek is amber-coloured writing.
A defence ghazal headed "Mihrî-i Mecnûn" in the anthology, with the redif "mıdır"; the lover pleads innocence and petitions the beloved for union as if addressing a sultan.
An anthology ghazal under the pen name Mihrî, of uncertain attribution: seven couplets setting the beloved's radiance, scent and stature above the moon, rose, musk and cypress.
A ghazal with the redif "olmaz", recorded under the pen name Mihrî in a Kütahya anthology, about a lover who keeps loving despite the beloved's indifference.
An anthology ghazal under the pen name Mihrî that calls the beloved by a new epithet in each couplet, with the redif "gelgil" formed by the Old Anatolian Turkish suffix "-gil".
A hezec-metre anthology ghazal headed "Mihrî-i Nâlân" by the compiler, describing the beloved through narcissus, bud, rose and hyacinth and the lamenting Mihrî as the nightingale.
An anthology ghazal under the pen name Mihrî, of uncertain attribution, whose couplets are all questions ending in the redif "‘aceb" (I wonder), between hope of union and fear of parting.
A ghazal with the redif "bâ‘is" (reason) that asks the cause of everything from the beloved's lock to her mood and ends by naming Mihrî herself as the cause.
An anthology ghazal with the redif "olmuş", moving from admiration to the hurt of hearing the beloved is in a rival's arms, with candle and moth and arrow and bow conceits.
A couplet reported in the tezkires, said to have been spoken in Prince Ahmed's assembly when Mihrî was linked with İskender Çelebi, likening her lip to the water of life.
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