Turkish and Persian poems by the Amasya-born scholar Müeyyedzâde Abdurrahman Çelebi, written as Hâtemî; the texts preserved in the anthologies, with commentary.
The poetry of the Amasya-born kadıasker Müeyyedzâde Abdurrahman Çelebi (Hâtemî): a Persian dagger kaside for Bayezid II, a letter ghazal for Prince Ahmed and couplets kept in the tezkires.
The six-couplet ghazal Müeyyedzâde Abdurrahman Çelebi (Hâtemî) wrote in reply to a letter from Prince Ahmed, governor of Amasya, praising the letter stroke by stroke.
Müeyyedzâde Abdurrahman Çelebi's most often cited ghazal: a love poem built on a torn collar, a hem caught on a thorn and the sword of eyelashes, of which three couplets survive.
Müeyyedzâde Abdurrahman Çelebi's ghazal with the refrain "see", preserved in a poetry miscellany: the beloved entering the bath, the parrot before the mirror and the crescent lover.
The famous two couplets of Müeyyedzâde Abdurrahman Çelebi cited in four biographical anthologies: an invitation to wine against the Sufi's water, and Kınalızâde's charge against Hayâlî.
Müeyyedzâde Abdurrahman Çelebi's three-couplet kıt‘a preserved only in Latîfî: the ever-turning wheel of heaven, the changeableness of the world and the counsel not to miss the moment.
The story of how Müeyyedzâde Abdurrahman Çelebi named to Selim I, in a single couplet, the authors of an anonymous paper accusing him of siding with Prince Ahmed.
Müeyyedzâde Abdurrahman Çelebi's sixteen-couplet Persian kaside with the refrain "dagger", presented to Bayezid II and called by Âşık Çelebi the proof of his conquest of eloquence.
Müeyyedzâde Abdurrahman Çelebi's response poem to the Persian matla of Bayezid II: feathered arrows lodged in the lover's heart that become birds dancing over his grave.
Müeyyedzâde Abdurrahman Çelebi's Persian matla likening the beloved's invisible mouth to the secrets of the unseen; one manuscript of Sehî says it was presented to Selim I.
Müeyyedzâde Abdurrahman Çelebi's Persian matla cited in three anthologies: while everyone strolls in a garden with his beloved, the lover stays in the corner of separation with his pain.
Müeyyedzâde Abdurrahman Çelebi's Persian spring matla preserved only in Kınalızâde: the season not to be spent without the beloved and the call to pick roses from the branch of life.
Müeyyedzâde Abdurrahman Çelebi's Persian ta‘miye chronogram on the death of a notable, in which the year is found by subtracting one from the words "huld-i berîn".
The Arabic quatrain Müeyyedzâde Abdurrahman Çelebi wrote as kazasker to endorse a scholar's treatise, preserved in Arabic script in Hüsameddin's History of Amasya.
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