Mehmed I, who made Amasya his base in the Interregnum, as a poet: the single ghazal attributed to him, the state of the sources and his poets.
Mehmed I, who rose from Amasya, as a poet: the single ghazal quoted in his name, the silence of the anthologies, the question of attribution and his circle of poets.
The only ghazal attributed to Mehmed I: five couplets that ask God for help though the world be hostile, recall the four caliphs and urge never turning from the enemy.
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