
Remzî Abdülhâdî Efendi: A Judge of Galata and Poet of Disputed Identity
Remzî Çelebi, judge of Galata, son-in-law of Müeyyedzâde Abdürrahîm Efendi and father of the poet İlmî: Abdülhâdî of Amasya for Hüsameddin, Mustafa of Bursa for the tezkires.
Remzî Çelebi, judge of Galata, son-in-law of Müeyyedzâde Abdürrahîm Efendi and father of the poet İlmî; whether he came from Amasya or Bursa is disputed.

Remzî Çelebi, judge of Galata, son-in-law of Müeyyedzâde Abdürrahîm Efendi and father of the poet İlmî: Abdülhâdî of Amasya for Hüsameddin, Mustafa of Bursa for the tezkires.

A four-couplet ghazal fragment by Remzî gathered from the tezkires: wine and grief couplets whose second line closes with a Qur'anic verse and which praise a vanishing mouth.

The opening couplet Latîfî praised as Remzî's own invention: the gathering a sugar field, red wine a parrot, the cup a nest and the bubble on the wine an egg.

An opening couplet by Remzî, quoted by Kınalızâde and Beyânî, in which the stones of cruelty fall on the head of the lover who ignored the warnings, rhyming stone with head.

A two-couplet ghazal fragment comparing the beloved to a rose-bodied cypress and the lover to its shadow, with a signature couplet playing on "Remzî" as keeper of secrets.

A couplet by Remzî asking a stone-hearted beloved to "build" his heart, turning a Turkish idiom into an image of building: a structure raised without heart cannot last.

Two couplets in which the lover carries stones with Ferhad for the palace of love and, painted beside the beloved, cannot be told from Leylâ and Mecnun; found only in Âlî.

An opening couplet by Remzî linking the beloved's sugary lips to the phrase "nebâten hasenâ" in the sura Âl 'Imran, playing on nebât as both plant and rock sugar.

An opening couplet by Remzî in Latîfî: the lover meant to offer his heart like an apple, but a stranger got there first; a play on "el" as both hand and stranger.

A couplet by Remzî Çelebi recorded in one manuscript of Âşık Çelebi as an answer to Hayâlî: the world, showing one face to the lover and another to rivals, is a hypocrite.

The ghazal in Sehî's entry on Mevlânâ Remzî: couplets with the refrain "-dendür" saying the parting comes neither from lover nor beloved but from heaven, and a thorn couplet.
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