Senâyî of Manisa, who came to Amasya with Prince Mustafa and served as its judge: his tezkire entries, nine couplets and the other Senâyî of Amasya.
Senâyî, who came from Manisa to Amasya with Prince Mustafa and became its judge in 1548: Âşık Çelebi's harsh verdict, Kınalızâde's praise, nine couplets and a tangled identity.
Two couplets by Senâyî kept by Kınalızâde: a lip whose trace even the geomancer-astrologer cannot find, and the people of love who keep naming the beloved even when beheaded.
Senâyî's two couplets on sweetness and a stony heart: speech that dazes the sugar-seller, a lip that colours the ruby, and a lover offering his yellowed dust as litharge.
Senâyî's opening couplet built on the word "hâl": the invisible dot on the lip, a beauty spot on the face and a heart as dishevelled as the locks; a small, deft perfect pun.
Senâyî's pen-name couplet: only a master money-changer knows the assay of verse, and no common man grasps a refined meaning; read alongside Âşık Çelebi's harsh verdict.
Two couplets by Senâyî in Kınalızâde and Beyânî: locks like a zunnar belt, a fiery cheek, a sigh equal to unbelief and heel-iron prints mistaken for eyebrows on the lover's face.
Senâyî's opening couplet kept only by Âşık Çelebi: down that rusts the mirror of the cheek, a sun that makes no peace with shadow and a moon face that needs no ornament.
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