Tokatlı Nûrî (Âşık Mahmud): the minstrel honoured at Ziya Pasha's Amasya fair, invited to Merzifon by Eyüb Sabrî; his 36 poems in the Merzifon Cönkü.
The life of Tokatlı Nûrî, Emrah's apprentice: Ziya Pasha's fair in Amasya, Eyüb Sabrî's invitations to Merzifon and his thirty-six poems in the Merzifon Cönkü.
The first quatrain of Tokatlı Nûrî's koşma in the Merzifon Cönkü: a broken pledge, the bow of the brow and the arrows of the lashes; original text, English prose and commentary.
The first quatrain of Tokatlı Nûrî's koşma in the Merzifon Cönkü: news begged from the dawn winds and musk-scented locks; original text, English prose and commentary.
The first quatrain of Tokatlı Nûrî's koşma in the Merzifon Cönkü: fire left to the moth and a lover sated with the water of union; original text, English prose and commentary.
The first quatrain of Tokatlı Nûrî's koşma in the Merzifon Cönkü: the wine of parting, swallowing blood and a question put to fate; original text, English prose and commentary.
The first quatrain of Tokatlı Nûrî's koşma in the Merzifon Cönkü: love as misfortune and calamity, and an angel-natured youth; original text, English prose and commentary.
The first quatrain of Tokatlı Nûrî's koşma in the Merzifon Cönkü: the cypress-tall sultan of beauty and his maddening eyes; original text, English prose and commentary.
The first quatrain of Tokatlı Nûrî's koşma in the Merzifon Cönkü: a prayer against the evil eye and a moon face praised with a verse; original text, English prose and commentary.
The opening lines and final quatrain of Tokatlı Nûrî's koşma in the Merzifon Cönkü: advice not to trust the turning world, and the earth that devours us, with commentary.
The first quatrain of Tokatlı Nûrî's koşma in the Merzifon Cönkü: separation written by the pen of eternity and the torn garment of love; original text, English prose and commentary.
The first quatrain of Tokatlı Nûrî's koşma in the Merzifon Cönkü: the chain of locks and the garden of life shedding its leaves; original text, English prose and commentary.
The first quatrain of Tokatlı Nûrî's koşma in the Merzifon Cönkü: the pun on bensiz and beňsiz, and the cypress-tall beloved; original text, English prose and commentary.
The first quatrain of Tokatlı Nûrî's koşma in the Merzifon Cönkü: a sulking beloved with a tilted fez and a frowning brow; original text, English prose and commentary.
The first quatrain of Tokatlı Nûrî's koşma in the Merzifon Cönkü: a mad and ruined heart longing for freedom and union; original text, English prose and commentary.
The first quatrain of Tokatlı Nûrî's koşma in the Merzifon Cönkü: a lover weary of life, tears of blood and a plea for fairness; original text, English prose and commentary.
The first quatrain of Tokatlı Nûrî's koşma in the Merzifon Cönkü: withdrawal from life and consolation in God's decree; original text, English prose and commentary.
The first quatrain of Tokatlı Nûrî's koşma in the Merzifon Cönkü: a lover begging pardon from a just and gracious lord; original text, English prose and commentary.
The first quatrain of Tokatlı Nûrî's koşma in the Merzifon Cönkü: the rose garden gone with autumn and the forlorn nightingale; original text, English prose and commentary.
The first quatrain of Tokatlı Nûrî's koşma in the Merzifon Cönkü: nightingales drunk on the wine of Elest and divine love; original text, English prose and commentary.
The opening couplet of Tokatlı Nûrî's divan in the Merzifon Cönkü: plays on devran, the realm of locks and the steed of coquetry; original text, English prose and commentary.
The opening couplet of Tokatlı Nûrî's Kalenderî in the Merzifon Cönkü: a sorrow that grows from one to a thousand when told; original text, English prose and commentary.
The first stanza of Tokatlı Nûrî's Düstûr in the Merzifon Cönkü: a stanza with a refrain and a merciless cypress-like beloved; original text, English prose and commentary.
The opening couplet of Tokatlı Nûrî's Kalenderî in the Merzifon Cönkü: a plea not to be left in the fire of separation; original text, English prose and commentary.
The opening couplet of Tokatlı Nûrî's Kalenderî in the Merzifon Cönkü: a figure praised with ceberût, melekût and the shadow of the hümâ; original text, English prose and commentary.
The opening couplet of Tokatlı Nûrî's divan in the Merzifon Cönkü: a prayer for divine grace for a heart on the path of love; original text, English prose and commentary.
The opening couplet of Tokatlı Nûrî's divan in the Merzifon Cönkü: roses in clusters of four or five and an army of nightingales; original text, English prose and commentary.
The opening couplet of Tokatlı Nûrî's semai in the Merzifon Cönkü: a letter and a many-coloured robe sent to the beloved; original text, English prose and commentary.
The opening couplet of Tokatlı Nûrî's Kalenderî in the Merzifon Cönkü: telling the ascetic that the saz is a prayer to God; original text, English prose and commentary.
The opening section of Tokatlı Nûrî's Satrancî in the Merzifon Cönkü: a eulogy built from shifting verbal segments; original text, English prose and commentary.
The opening couplet of Tokatlı Nûrî's ghazal in the Merzifon Cönkü: asking the beloved, physician of the age, for a cure; original text, English prose and commentary.
The opening couplet of Tokatlı Nûrî's divan in the Merzifon Cönkü: a heart lamenting amid the delight of the pleasure-seekers; original text, English prose and commentary.
The opening couplet of Tokatlı Nûrî's Kalenderî in the Merzifon Cönkü: a nightingale with no rose or branch, a lover with no refuge; original text, English prose and commentary.
The opening couplet of Tokatlı Nûrî's semai in the Merzifon Cönkü: a lover at the beloved's feet wishing for evening to come; original text, English prose and commentary.
The opening couplet of Tokatlı Nûrî's semai in the Merzifon Cönkü: advice not to expect faithfulness from the fair; original text, English prose and commentary.
The opening couplet of Tokatlı Nûrî's semai in the Merzifon Cönkü: the laughing rose that no longer begrudges the nightingale's sighs; original text, English prose and commentary.
The opening couplet of Tokatlı Nûrî's divan in the Merzifon Cönkü: an invitation to an outing and the enigmatic çifteler; original text, English prose and commentary.
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