Adlî's seven-couplet ghazal on the refrain "gönül" traces grief to man's creation, names the strife of sovereignty as his burden and urges laying down the care of the realm.
Adlî's five-couplet ghazal on the refrain "kıl" makes the beloved a physician, plays on fixed stars and planets, sets the tavern against hypocrisy and ends with a cypress by the river.
Adlî's seven-couplet ghazal on the refrain "eksük degül" counts the snare of the locks, a beauty equal to the sun and the rivals in his company, ending as one of a thousand beggars.
Adlî's five-couplet ghazal makes the eyebrow a crescent shaped like the letter râ above a sunlike face, the locks a Night of Power, and ends: no gazelle is caught with a ghazal.
Adlî's five-couplet ghazal makes the lover a candle's wick and the lip's memory the water of Selsebil, calls the tearless a miser, and finds honour not in sovereignty but at a threshold.
Adlî's seven-couplet ghazal on the refrain "degül ol" makes his tears greater than the ocean, the rival an untrained hunting dog, and the poet lord of a land of pain.
Adlî's five-couplet ghazal likens the crescent to an old slave bent before the eyebrow, plays on the calligraphic terms ruby, nesih and reyhânî, and calls each ghazal a petition.
Adlî's five-couplet spring ghazal in a short metre: the rose scatters coins, the hyacinth tears its hair, the forelock turns highwayman, and the poet prefers haircloth to satin.
Adlî's five-couplet ghazal on the refrain "kul" makes pepper, cypress, pearl and the wise all slaves of the beloved, and the sultan-poet counts himself one of many slaves.
Adlî's five-couplet ghazal on the refrain "eyledüm" adorns his arms with brands of separation, flees stones into a heart of stone, and says amen to the prayers of love's elder.
Adlî's seven-couplet ghazal on the refrain "-dur benüm" counts grief as his soul, makes his sigh an arrow aimed at the sky and its smoke the vault of heaven, and blames no one.
Adlî's five-couplet ghazal on the refrain "mı diyelüm" lists his sorrows question by question, is wounded by the thorn before reaching the rose of union, and doubts his own patience.
Adlî's six-couplet ghazal turns the eye into a sea and a mine, tears into rain, the rose branch into an arrow, and the bloodied eyelash into coral in a sea of tears.
Adlî's five-couplet ghazal: the sultan-poet makes himself a doorkeeper at the beloved's threshold, becomes a sultan in that fancy, and turns his wounded breast into a rose garden.
Adlî's eight-couplet ghazal with the refrain "what am I to do": a lament on the slave driven from the shah's door, a sun of fortune that never rose, and black fortune.
Adlî's six-couplet ghazal: the lover's eyes outdo the April cloud, the beloved counts her own nightingales, and praise of her cheek's down fills the ledger of the world.
Adlî's seven-couplet ghazal: the arrow of a sigh reaching heaven, an unceasing flood of tears, the chain of the locks and the rival's dog, and a lament that no one hears.
Adlî's five-couplet ghazal: the beloved is a sun-faced moon and an idol with the breath of Jesus, her street the Kaaba, the lover's tears Zemzem; the close urges kissing a shah's feet.
Adlî's seven-couplet ghazal with the refrain "I am not": the lover answers the rival, teases the eye that denies its sorcery, and counts grief bought with his life a bargain.
Adlî's five-couplet ghazal with the refrain "kılam": a Tûbâ-tree stature, the staff of Moses, elixir and alchemy, and a lover who ranks servitude equal to sovereignty.
Adlî's seven-couplet ghazal with the refrain "eyledüm": tears become a flood for a cypress stature, the body a water-wheel, and the stars the wounds of sighs that pierce the sky.
Adlî's five-couplet ghazal rhyming in "-âm": a full moon drunk on its own lip's wine, the unripe fruit of union, hyacinth and pepper as slaves, and at last the hope of a greeting.
Adlî's five-couplet ghazal: drowned in tears, the lover can no longer tell his sea from his land, and in the end gives up crown and throne, counting his sighs' flame a golden crown.
Adlî's seven-couplet ghazal: the fire of separation outdoes Hell, the beloved is the one pearl in the world's oyster shell, and the poet names himself an old servant at that shah's door.
Adlî's five-couplet ghazal with the refrain "itdüm": a body bent like the crescent, grief's dust on the heart's tablet, a body trampled into dust, and love between death and revival.
Adlî's ghazal with the refrain "benüm", preserved only in the T manuscript: furnace and rose garden, friend and enemy, and a closing couplet built on the old idiom of adoption.
Adlî's ghazal preserved only in the T manuscript, whose second couplet Sehî gives to Hadîdî: lashes like drawn swords, drunken eyes wrecking a glass shop, a lip reflected as a cup.
Adlî's ghazal with the refrain "sevmezin": a lover who rebukes those who will not love, the ascetic and God's light, dust like an elixir, and a beggar driven from the door.
Adlî's ghazal with the refrain "itmek neden": a reproach to the heavens that grieve the lover and gladden the rival, a pun on "dâd", and a bowl of poison given to Adlî.
Adlî's ghazal of a spring outing: the meadow spreads satin for a rose-shirted Joseph, cypresses rise, almond blossom showers gold and jasmine clings to his hem.
Adlî's ghazal with the refrain "dirsin": a face in the hair like the sun in Scorpio, rebukes to ascetic, Sufi and preacher, a mouth so small it is nothing, a nightingale's praise.
Adlî's short ghazal with the refrain "imişsin": a weeping eye, a heart turned to blood, the soul within the soul, and the poet calling himself a strange sultan who would be a servant.
Adlî's ghazal with the refrain "-dan": a heart that expects no mercy from an unjust shah, a bird caught in the hair, a love older than Mecnun and Ferhad, and a cypress that will not bend.
Adlî's five-couplet ghazal with the refrain "-dan": a faithless beauty, a rose to be picked before autumn, Nu‘mân tulips in a wounded breast, and a sultan who would rather be a servant.
Adlî's ghazal with the refrain "-dan": a lover who moans more than a water wheel, an eyebrow like a mihrab, tears red as the jujube, and all the seas poured out of Adlî's eyes.
Adlî's ghazal with the refrain "içün": a gathering in a meadow, the soul flying to falcon eyes, a pun on the Şehnaz mode, and Mahmud who gave his life for Ayaz.
Karekod · QR code
Bu sayfanın karekodudur. A5 olarak yazdırıp asabilir ya da yapıştırabilirsiniz; okutan kişi doğrudan bu içeriğe ulaşır.
This QR code links to this page. Print it on A5 and post it anywhere; scanning it opens this content.