Adlî's hezec ghazal with the refrain "-lerden": the arrow of a sigh reaching the heavens, wishes never granted, a lover passed through sieves, and submission to the divine decree.
Adlî's five-couplet ghazal with the refrain "ideyin": a heart that rejoices in pain, a ruined house rebuilt by arrows, a bird freed in the rose garden, and a closing wish for a name.
Adlî's ghazal with the refrain "gibi ben": a body thin as a hair, hair sweeter than Khotan musk, hyacinths that amaze Rıdvan, and a gazelle-like beloved who tells Adlî to follow like a dog.
Adlî's five-couplet ghazal with the refrain "-umdan": a blood-raining eye, black fortune, a profitless bargain with the beloved's hair, and a poet who might burn for his own poems.
Adlî's seven-couplet ghazal with the refrain "-umdan": sigh-smoke that veils the sun, a lover calling the beloved "my sovereign", Alexander in the dark, and the eyebrow as mihrab.
Adlî's short-metre ghazal with the refrain "-dan": hair scented like Chinese musk, rose and nightingale, a hypocritical Sufi, a face asking for grief's stamp, and the compass circle.
Adlî's seven-couplet ghazal of beauty: a lip whose breath raises the dead like Jesus, a face laid out as a garden, the musk of the Khotan gazelle, and a lily that draws its dagger.
Adlî's five-couplet ghazal with the refrain "without knowing": coquetry and entreaty, the Kaaba of the beloved's street, metaphorical love against the Sufi, and Mahmud and Ayaz.
Adlî's six-couplet ghazal on the beloved's hair: a threshold starred with tears, a pearl of sweat on the eyebrow, hair laying ambush for souls, and Gabriel bending over the lip.
A ghazal with the refrain "var iken" found only in manuscript M2; four tezkires give its opening couplet to Ahdî of Edirne, and the text Latîfî quotes shares its fourth couplet.
Adlî's ghazal with the refrain "-dan", found only in manuscript M2: moaning until dawn, a chain of hair not lowered to hearts in the well, and a beggar expecting honour from a king.
Adlî's four-couplet ghazal found only in manuscripts T and M2: eye, brow and lock drawn with the letters of narcissus and tulip, and Chinese musk wrapped in a hide.
Adlî's eight-couplet ghazal found in all five manuscripts: tulip and hyacinth on a grave, an army of glances plundering Rûm, and a poem to be carried to Samarkand.
Adlî's six-couplet ghazal with the refrain "eylemege": a rose that makes the nightingale moan, the thrice-used word karâr, pearls of tears and a lock that scatters.
Adlî's seven-couplet ghazal woven from images of the sky: sigh-smoke that darkens the moon, a shadowless angel, a pun on Jupiter, and Joseph ready to become a slave.
Adlî's five-couplet ghazal: a heart that dies for the bond and hook of a lock, a lover sick with sleeplessness, a soul thirsting for a sword's water, a gilded panel.
Adlî's seven-couplet ghazal with the refrain "her gice": a moon-beloved rising every night, a candle burning like a moth, an eye adorned with tears, a vigil until dawn.
Adlî's seven-couplet ghazal: the arrow of the eyelash, nightingales taught to lament, a sultan seeking a doorkeeper's favour, and a closing word on king and beggar.
Adlî's five-couplet ghazal: the beloved's face in place of the garden of Irem and Jamshid's cup, blood in place of tears, and a poem written with a tress for a pen.
Adlî's seven-couplet ghazal with the refrain "what remedy": the sword of the glance, the heart hanged as a night thief, the thorn that never leaves the rose, and patience.
Adlî's seven-couplet ghazal: the lover's head as a ball for a polo-stick tress, fire and pomegranate, the shamed sea and mine, and counsel to summon oppressors to justice.
Adlî's seven-couplet ghazal: the double sense of mihr, pearls and verse without value, a tress that ruins the ambergris market, the salamander, and kingship through servitude.
Adlî's five-couplet ghazal: the bird of the heart in the rose garden, a moon-faced beloved cruel as the heavens, weeping mountains, a dry ascetic, and counsel against the world.
Adlî's seven-couplet ghazal with the refrain "upon": a sigh that brands the moon, arrows that become stars in the sky's shield, tears strung like rubies, and the eyelash as fate.
Adlî's five-couplet ghazal: a collar held in the hand of grief, a prayer against infidel-eyed beloveds, the desert of love, and kingship of the world through servitude to beauty.
Adlî's six-couplet ghazal: pearl teeth and coral lips, the musk of China leaving home with "one friend, one skin", and a heart entangled in the beloved's hair.
Adlî's five-couplet spring ghazal: a gathering in the rose garden, blossoms shedding petals like coins, pure wine, the dew on the flowers and the drooping violet.
Adlî's five-couplet ghazal: love as an obscure book beyond the schoolmaster, a gathering of grief played on ney, harp and rebab, and a ruined realm to be abandoned.
Adlî's five-couplet ghazal: paradise seen in a dream, lovers kneaded from the clay of love, the law of love against the muhtesib, and love's horsemen conquering the heart.
Adlî's seven-couplet ghazal with the refrain "where is": the crescent goblet, a sapling bearing love, the never-setting sun, lost patience and a vanished world of dreams.
Adlî's five-couplet ghazal with the refrain "-ligi": the rose's orphan nightingale, a potsherd for a golden cup, the tulip as censer, and servants learning servitude from Adlî.
Adlî's seven-couplet ghazal with the refrain "like": a rose cheek and nightingale lovers, shamed musk of China, musk reaching Rûm like black pepper, and the sun and moon as servants.
Adlî's five-couplet ghazal with the refrain "oldı": a rival's dice in the backgammon of grief, a God-given empire, Moldavia and the Tatar chief, and a last wish for union.
Adlî's six-couplet ghazal with the refrain "oldı": tears turned to coral, a collar left untorn, a sword that cures pain, and a beggar made sultan by serving the beloved.
Adlî's six-couplet ghazal: a cheek that gave Moses the white hand, a lip that taught the Messiah to raise the dead, seven seas poured from the eyes, and a shah's empty quarrel.
Adlî's five-couplet ghazal: an eyebrow like fate's compass, the şemse of the face, a sword that drinks blood like water, a breeze lifting the lock, and libertines asked to remember him.
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