Hayâtî, sixteenth-century poet whom Latîfî places in Merzifon, remembered with his brother Memâtî: the tangled identity in the tezkires and his verse.
Latîfî places Hayâtî in Merzifon, while Âşık Çelebi and Kınalızâde remember him as Memâtî's brother; the Postî joke, a life that ended in the Hejaz, and a tangled identity.
The opening couplet of Hayâtî of Merzifon preserved by Latîfî: the rosebud tearing its collar and the rose falling to wailing at the beloved's cheek, and the gülzâr pun.
Two couplets of a ghazal attributed to Hayâtî by Âşık Çelebi: Farhad, who learned love from the Master of pre-eternity, and the executioner glance that sheds a thousand bloods.
In two Persian couplets that Âşık Çelebi gives to Hayâtî, the lover becomes the dust of the beloved's road and the earth beneath the paw of the dog at her door.
The line Kınalızâde puts in Hayâtî's mouth: the words "my patience is spent" of a poet who had spent his fortune for love, marking his move from Istanbul to the Hejaz.
Âşık Çelebi has Hayâtî recite this couplet as he boards ship for Egypt: casting his heart to the open sea, the traveller leaves his affairs first to the shah, then to God.
Karekod · QR code
Bu sayfanın karekodudur. A5 olarak yazdırıp asabilir ya da yapıştırabilirsiniz; okutan kişi doğrudan bu içeriğe ulaşır.
This QR code links to this page. Print it on A5 and post it anywhere; scanning it opens this content.