Kara Fazlî's five-couplet ghazal in rich rhyme: separation from beloved and homeland, the passion of the tress, the lover at the feet of the tavern elder, a rose beside a thorn.
Kara Fazlî's yek-âhenk ghazal with the redif "bulunur": a rose without equal in the garden of the world, the heart's nightingale, cypress stature and hyacinth tresses in plain Turkish.
Kara Fazlî's ghazal with the redif "-lar": a tress that cuts off heads when it begins its tricks, tulip-like wounds, tears that redden the dawn and eyes like highway robbers.
Kara Fazlî's libertine ghazal with the redif "-dur": the one who knows no love as the truly sick, a lesson for the Sufi, wine in the season of roses, and the curse of shame.
Kara Fazlî's ghazal with the redif "ider": arrow lashes and sword glances, water wearing away stone, a magic circle drawn with tears, and poetry like a sugar-scattering parrot.
Kara Fazlî's ghazal with the redif "ider": a heart that makes its sigh an arrow, tears that move earth and sky, the tress as unbelief, and a mouse-sized Sufi playing the lion.
![Ghazal 70 — Ḫaste dil cānından artuḳ lā‘l-i cānān[ın] sever](https://amasya05.com/storage/gallery/1c54740c8cfec9381fbf778479e8c731.webp)
Kara Fazlî's ghazal with the redif "-ın sever": a lip loved above life, a heart that loves its own fetters and dungeon, and a head offered as the ball to the polo stick of the tress.
Kara Fazlî's ghazal with the redif "-den ṣor": love as a shirt of fire, sweet grief asked of Ferhad, paradise asked of the nightingale, the tulip's bloody shroud, a lip like Jesus.
Kara Fazlî's ghazal built on a pun on "muẓaffer": a shah named Muzaffer who conquers the heart, a leader who must give his head, and the moon with black smeared on its face.
Kara Fazlî's ghazal with the redif "oḳur": the Qur'an read in the codex of the face, arrows reciting Yâsîn, Câmî's Bahâristân and Sâdî's Gülistan and Bostan.
Kara Fazlî's ghazal with the redif "sürer": wine passed round and delight enjoyed, the beggar who enjoys the world, black smeared on the moon's face, a fortune above kings.
Kara Fazlî's ghazal with the redif "söyledür": a cypress stature that makes poems raise a tumult, folly in the ascetic, wine that tells secrets, a cup that teaches the parrot.
Kara Fazlî's ghazal of separation with the redif "-dur": bloody tears taken for wine, free wine turned to poison, a bowl of heart's blood, and a breast played like a kanun.
Kara Fazlî's farewell ghazal with the redif "-um gider": a shah setting out in felicity, a heart that goes with him, a courier of imagination at every stage, a lord likened to Alexander.
Kara Fazlî's yek-âhenk ghazal built on puns on "al" (red): a beloved dressed in red in every couplet, a deceived nightingale, an elif amid blood, a poem like a tulip garden.
Kara Fazlî's ghazal with the redif "eyler": a listener who whirls to a ney-like lament, a yellowed body turning in the wind, quarrelling spheres and a head never cut from love.
Kara Fazlî's ghazal with the redif "eyler", one couplet lost: prey whirling to the ney-like sound of an arrow, a drunken cup, friends bidding grief farewell, and a curse.
Kara Fazlî's only ghazal with a double pen name: a lover who sees himself and the beloved in Farhad and Shirin, a head crowned by fortune, and poetry given as a gift.
Kara Fazlî's ghazal with the redif "-dür": an eye that casts the heart into fire, a letter that is a white dove, a cup like a falcon, and a heart that mirrors the beloved's face.
Kara Fazlî's ghazal with the redif "yeğdür": abuse sweeter than a rival's praise, the dog of the beloved's street, a lover who leaves Kevser and a poet secluded in a tavern.
Kara Fazlî's ghazal in a mystical vein: a face that is proof of God's beauty, a path of love open to the content, a beauty veiled by its own light, and all things returning to their origin.
Kara Fazlî's response to Kemâl Paşa-zâde with the redif "ṣandılar": a forelock taken for blood, a crescent for a bone, a chain for a beloved, and Farhad's story for the lover's own.
Kara Fazlî's response to his teacher Zâtî with the redif "olur": a moon-face unseen for a year, a drunkard turned lamp, a forelock like Gabriel and grass become tongues.
Kara Fazlî's ghazal with the redif "-um var": a lover made king by his servitude, a tongue that stirs like a bell's clapper, old age in youth, and a falcon of the placeless realm.
Kara Fazlî's ghazal with the redif "-den ṣor": ask Farhad, not Khusraw, about love's calamity; a tulip like a bloody shroud, spring like Irem, and dust that heals the eye.
Kara Fazlî's response to Hayâlî with the redif "bilmezler": a beloved present everywhere yet sought far away, a lip that revives like Jesus, a nightingale the deaf cannot know.
Kara Fazlî's response to Fuzûlî with the redif "-ı var": Farhad, who has only a name in love's craft, a fortress of pain that withstands the cannon of sighs, and a retreat in the tavern.
Kara Fazlî's ghazal noted for its plain Turkish: a heart captive to the tress, whoever loves Leyla becoming Majnun, a tress preparing a night raid, and tears that will become the Oxus.
Kara Fazlî's ghazal with the redif "yazmışlar": a cheek written on a rose petal, an eyebrow like a tughra on a patent, teeth strung as verse and hair written in an anthology.
The single surviving couplet of a Kara Fazlî ghazal whose first couplets are lost: a lover who fears death no more than Khidr, the beloved's lip his water of life.
Kara Fazlî's ghazal with the redif "uyur", its first couplets lost: a heart asleep with the dogs of the beloved's street, a languid eye sleeping on a sun-face, and dawn.
Kara Fazlî's spring ghazal with the redif "zemānıdur", its last couplets lost: no time for sobriety, a tulip holding a goblet, a teasing rind, and wine as the cure of sorrow.
Kara Fazlî's two-couplet ghazal whose last couplets are lost: a rival showing the beloved gold, a musician stroking his tambourine for a tip, and a tress that hangs the lover.
Kara Fazlî's two-couplet ghazal whose last couplets are lost: a fickle beloved who talks with others everywhere, a world booming with jealous sighs, and pupils drowned in blood.
Kara Fazlî's archery ghazal with the redif "-veş": a lover who cannot sway like a sword, an eye like a ruby thumb ring, people linked like a chain, and loyalty like Qitmir's.
Kara Fazlî's second archery ghazal with the redif "-veş": a lover bent like a bow, counsel from bow and arrow, a chin like a dungeon and Qitmir in the cave of faithfulness.
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