Kara Fazlî's two-couplet kıt'a likening the word to April rain, which becomes a pearl in the oyster shell and poison in the mouth of a snake.
Kara Fazlî's mesnevi fragment, reminiscent of Gül ü Bülbül, in which he gathers the pearls of meaning and the stars of knowledge into his speech.
Kara Fazlî's single-couplet müfred on love, binding the story of Leylâ and Mecnun to the Arabic saying "el-leyletü ḥublā", "the night is pregnant".
Kara Fazlî's single-couplet müfred on exile: where he looked for joy he carried only grief, and leaving one's homeland, he concludes, holds no delight.
The thirty-two-couplet passage of Kara Fazlî's Gül ü Bülbül, dedicated to Prince Mustafa, where the story proper begins with King Spring of Rûm and his son the Rose.
The only surviving passage of Kara Fazlî's lost first mesnevi Hümây u Hümâyûn, ten couplets quoted by Latîfî that describe the portrait of a beauty painted on blue silk.
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