Münîrî's Persian response to Hâfız: a Magian boy will be the bane of souls, the heart turns from sheikh to tavern elder, and the soul will follow the arrow of a glance.
Münîrî's Persian ghazal on "-yı ḫod": the lover finds permanence in nonexistence, the heart's mirror is polished by the rust of grief, and the perfect man reaches his place.
Münîrî's Persian ghazal without refrain: without the beloved the garden turns to tulips with tears, the soul thirsts for the sword's sherbet, and the pupil keeps the curtain.
Münîrî's Persian ghazal without refrain: the lip is the spring of life's water, the cheek the eye's light, rose conserve cannot cure the lip's sickness, and the guest gets liver's blood.
Münîrî's Persian spring ghazal without refrain: the cup is called for, no raw promises are made to those cooked by love, and love's foundation stands in a ruined heart.
Münîrî's Persian ghazal without refrain: spring is empty without the beloved, the plane tree trembles because its hand cannot reach his hem, and with him winter beats spring.
Münîrî's Persian ghazal without refrain: a heart weeping blood till dawn has fallen in love, a yellow face is valued like gold, and sighs melt stone but not the beloved's heart.
Münîrî's Persian ghazal without refrain: Khidr's name is spelled out letter by letter, the beloved roams heart and eye like Khidr on sea and land, and his passing is life's passing.
Münîrî's Persian ghazal on the refrain "diger": no work but love's grief, no lip but the beloved's sugar lip, and the poet's one wish is to see the beloved's face once more.
Münîrî's second Persian ghazal on the refrain "diger": each ring of the curls breeds a new passion, the heart roams new deserts, but the one refuge is the beloved's door.
Münîrî's ghazal without refrain alternating Persian and Turkish couplets: the face a sun, the mouth a secret of the unseen, wine at Nevruz, and intellect a child before love.
Münîrî's Persian response poem to Hâfız: the lover with his face in the road's dust opens his eyes at every footstep, and the poet melts like the candle of the gathering.
Münîrî's Persian ghazal on the refrain "bes" (enough): moans, a sleepless eye and a wall's shade suffice the lover, the tavern the knowers of God, and the Prophet's light Münîr.
Münîrî's Persian ghazal on the refrain "-eş": beauty is a rose garden, the Hindu of the curls brings peppercorn moles to beauty's Egypt for sugar, and Münîr is its nightingale.
Münîrî's six-couplet Persian ghazal on the refrain "-eş": the heart tied to the knot of the curls is never freed, love is a shoreless sea, and the poet's clay was kneaded with passion.
Münîrî's Persian ghazal on the refrain "ṭaraf": the writ of safety on the cheek guards the heart, which turned to the Kaaba before direction existed, and the blind ascetic cannot walk.
Münîrî's Persian ghazal ending in an Arabic line: one lesson from beauty's book outgrows the Tablet, the dawn reddens with tears, and the beloved's face outshines the daybreak.
Münîrî's Persian ghazal without refrain: he wishes the beloved would come to spite the hypocrite, love was written in pre-eternity, and the faithful heart grows bright as dawn.
Münîrî's Persian ghazal woven of musical terms: the lovers' moans outdo kanun, ney and harp, love claws the soul's string, and the cheek grows down as a damp mirror gathers rust.
Münîrî's Persian ghazal rhyming in "-eng": arrows of glances do not fit the narrow lamp of the heart, the image from a stone heart gushes like water, and the sky wears mourning blue.
Münîrî's Persian ghazal built on the language of accounts: the glance's arrows are counted, the rival is like the silent waw of 'Amr, and "lek" rhymes in two languages.
Münîrî's Persian ghazal ending in an Arabic line: in the rose season no one fears the inspector, buds tear their collars, and tears wash all but the beloved from the heart's tablet.
Münîrî's Persian ghazal on the refrain "gül" (rose): the meadow spreads green satin for the rose, buds hang red amulets on her, yet without the beloved's face the rose is fire.
Münîrî's Persian ghazal on the refrain "dil" (heart): even the Anka is lean prey for the falcon of the curls, the heart bears a hundred tulip scars, and no soul can keep its secret.
Münîrî's Persian ghazal without refrain: separation is a dark night, a thousand-year breath equals one moment of union, and the poet bearing love's burden is like man in the Trust verse.
Münîrî's seven-couplet Persian ghazal on the refrain "gül": the rose glows like the fire of Moses, the bud presents the nightingale's petition, and even dry thorns will bear roses.
Münîrî's Persian ghazal without refrain: a mounted Turkish beauty seeks the soul, the eye rules lines of blood on the face, and the poet speaks a graceful, delicate poem of the lip.
Münîrî's Persian ghazal without refrain: the heart caught in the knot of the curls cannot escape, the sweet soul is laid on the road as a child seeks sweets, and no rose lacks nightingales.
Münîrî's Persian ghazal without refrain: the dawn breeze brings news of union, grief is an old friend, the heart leaves home once the image settles in, and the beloved's door beats paradise.
Münîrî's Persian ghazal on the refrain "nīz hem": the lover who gave heart and soul is hated by people and beloved alike, the arrowhead stays in his liver, and fortune drives him away.
Münîrî's Persian ghazal on the refrain "-ı toyīm": the pearl-scattering ruby lip makes the liver bleed, the chin's well yields no water, and sick Münîr calls the candle of Çiğil to his side.
Münîrî's Persian ghazal without refrain: the morning breeze carries news of separation, grief grows lawful and life forbidden, poison comes before union's honey, and the poet ends his tale.
Münîrî's Persian ghazal on the refrain "tovem" (I am yours): the lover is the beloved's wounded captive, his helper in shedding his own blood, his patient, a nightingale among thorns.
Münîrî's Persian ghazal spoken as "we": the wine of love drunk at the feast of pre-eternity, renouncing both worlds, an allusion to Joseph, and the lover running to the beloved's dog.
Münîrî's Persian ghazal: a lover jealous of the morning breeze who would turn to dust, the pun on "ger dem" and "gerdem", the many senses of "dem", and a fire lit by a cold sigh.
Münîrî's Persian ghazal: tulip-red tears on a yellowed face, a lover who answers the ascetic's reproach with his madness, and an inner voice speaking to the poet about his heart.
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