Münîrî's Persian ghazal that ends in praise of Bayezid II: an army of tears, down no land can hold, the witness of two lips, and two couplets of praise after the pen name.
Münîrî's Persian wine ghazal on the refrain "-i mey": a cup turned to blood, an abashed Kevser, a secret on the cheek, a rose that pawns its garment, and the daughter of wine.
Münîrî's seven-couplet Persian ghazal: a call to the cupbearer, the seed of love sown in the breast, a sun that holds a mirror to the moon, and a martyr of love's funeral prayer.
Münîrî's Persian ghazal rhyming on "-evī": love told in the words of the Mesnevî, Moses' ember, the breath of Jesus, Khosrow's crown, and the worldly set against the hereafter.
Münîrî's Persian ghazal on the refrain "-ī": a yellow face reddened with blood, a lover rising dancing from his grave, knowledge over elixir, and a beloved who sees all.
Münîrî's last Persian ghazal in the divan: a travelling beloved who is never anyone's guest, a story that fills the world, and a candle that lights a hut of sorrows.
The first of Münîrî's Turkish ghazals: the manifestation of beauty, divine names seen in motes, counting oneself as nothing, and dying before death; Ersoy's example of Sufi symbols.
Münîrî's Turkish ghazal: Jesus rising to heaven to see a crescent eyebrow, a yellowed quince, a lofty stature that brings calamity, and the "lā" written by stature and tresses.
Münîrî's get-well ghazal for a ruler struck by fever: a sun that trembles, a morning breeze that flees in fear, and advance atonement for a sinless sovereign.
Münîrî's Turkish ghazal: a lover no one claims blood money for, death that comes in a breath, a fire-breathing dragon of tresses, and the star Sühâ that vanishes at dawn.
Münîrî's Turkish ghazal: a breeze driven mad by touching the tresses, the wind of longing, a lover trampled by twofold tresses, a barking dog and a beggar, and the wind of extinction.
Münîrî's ghazal of surrender: a lover who holds faithfulness and cruelty alike, a dog-like rival, a cypress-tall beloved and a closing line that says what is past is past.
Münîrî's ghazal of the lips with the breath of Jesus: lips that revive yet kill, a glance like death's courier, sick eye and sick heart, and a curse called a prayer.
Münîrî's ghazal of the sword's grain: the pattern on the steel as lovers' nail marks, a cypress beaten dry, a banished tear and a full moon lit by the pen name.
Münîrî's ghazal rhyming on "Muṣṭafā": a face whose tresses the breeze has carried off, the fear of affliction, a stray arrow and the light of Muhammad in the last couplet.
Münîrî's ghazal of counsel with the refrain "ola": a lover sacrificed at the feast of union, the burden of "ẓalūmen cehūlā", life as capital and advice for the soul's ear.
Münîrî's ghazal with the refrain "-dan yaña": heart and soul turning toward the beloved, the soul as a guest at the lips, news like Joseph's and eyes turned to a sultan.
A ghazal recorded under Münîrî's name only in Pervâne Bey's anthology: a robe jealous of a shirt, a moon exiled for telling the truth and a "bālā belā" pun.
Münîrî's macaronic Turkish-Persian ghazal: a banquet seized by the grape's blood, the beloved as a second Khiḍr, musk as a steppe Turk and union sealed by "men ṭaleb".
Münîrî's ghazal of the stranger lover: drawn by his own earth to a quarter, a five-day nightingale, a preacher who would strike with a sword and an eyebrow like an Indian doctor.
Münîrî's ghazal rhyming on the suffix "-üp": a lover seeking the beloved even at the Gathering, a tear kissing a dog's track, a falcon-like heart and a mended glass.
Münîrî's ghazal of the sun-like face: light that burns the veil, manifestation in the dust, a sun climbing the hills to see an eyebrow's crescent and a sleepy glance.
Münîrî's ghazal of the hyacinth veil: a sun-face behind a cloud, cheek-down that is no verse of mercy, "death" as the answer to "em" and Ersoy's example of zihaf.
Münîrî's ghazal of the chin's apple: apples on a grave's willow, an eye that is a sick physician, a sword-bearing preacher in the mosque of the face and the "sehm" pun.
Münîrî's banquet ghazal: tears turned to wine and a breast turned to kebab, rosewater for a dog, a sun that drops in through the chimney and a closing "God knows best".
Münîrî's ghazal of the forsaken lover: only the sword turns its face to him, a cup lip to lip, a Sufi's turban pawned for wine, gold on the touchstone and a fevered grave.
Münîrî's ghazal with the refrain "-üp": a pupil at the window, a pun on dragging one's face and following a track, an arrow of fate and lips that need not take a life.
Münîrî's chess ghazal: lips served by sugar and candy, the alms of beauty, a beloved who checkmates kings with "ruḫ" as cheek and rook, and freedom in captivity to tresses.
Münîrî's ghazal with the refrain "ey dost": a servant begging a glance from the king of beauty, pearls poured from the eyes, rose-sugar lips and a body wasted to a straw.
Münîrî's plain ghazal in a short metre: union hanging on fortune, a lover bent double for a cypress-tall youth, a lost arrow, the well of the chin and sinking into fortune.
Münîrî's Sufi ghazal: the mirror of attributes reflecting the light of the Essence, passing away from self, a prostration older than Kaaba and Somnath, a mustard-seed universe.
Münîrî's ghazal of the bewitching eye: an eye that plunders the heart, lips that give signs, a ruined realm restored by a sultan, ablution in blood and a kiss worth more than Samarkand.
Münîrî's ghazal of the image as guest: an image never to be let go, a pun on sick-visit and custom, a crescent raising its finger in assent and birth whose root is death.
Münîrî's ghazal to a beauty named "‘İṣmet", or to chastity itself: a fate from pre-eternity, retreat in the heart, dust as collyrium, seventy-two nations and a prayer of mercy.
Münîrî's mixed Turkish-Persian ghazal: a drunkard of the banquet of Alast, a line cast into the sea of the heart, Solomon and the ant, arrows sunk to the nock and a fly in honey.
Münîrî's ghazal on the proverb "the answer to a fool is silence": the Ever-Living, ruby lips, tresses that swallow the heart as the fish swallowed Jonah, and a grassless grave.
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