Sülûkî of Amasya, scribe and lute player whom Âşık Çelebi met in Rumelia: his autumn kaside, his şehrengiz, his ghazals and conflicting sources.
Sülûkî Mehmed Çelebi, the Amasya scribe and poet Âşık Çelebi met in Rumelia: his autumn kaside, his şehrengiz and the conflict between Hüsameddin's dates and the anthologies.
Four couplets of Sülûkî's ghazal with the refrain beni, scattered across three anthologies: love's brands as a patched cloak, a red-hot moon and a play on two ascetics.
In this kıt'a describing the first down on a face in the language of calligraphy, Sülûkî uses the word gubâr for both dust and a fine script.
Sülûkî's couplet turning the tale of candle and moth into a union inside the lantern: the glass shade as one shirt, pleasure instead of burning, and an indirect wish.
The archer's feat of piercing glass with one arrow becomes the beloved's glance in this couplet by Sülûkî; Beyânî and Kınalızâde give it with one small difference.
Sülûkî's opening couplet preserved only by Hüsameddin: a heart made drunk by the memory of the cup of the beloved's lips, turning to wine in the house of love's sorrow.
Sülûkî recited this autumn kaside on coming to Âşık Çelebi; in its eleven surviving couplets autumn is a merchant pouring out gold and a yellow leaf a keepsake for a patron.
Five surviving couplets of Sülûkî's şehrengiz: the student Ömer praised through the textbooks Mutavval and Mukhtasar, the sheikh's son Mehmed, and the question of which city.
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