Filib, the name read in the pen-name stanza of a semai in the Merzifon Cönkü: the doubtful reading, the possibility of a non-Muslim poet and the stanza itself.
Cezbî, reported to have a syllabic poem in the Merzifon Cönkü: his place in it, the meaning of his pen name and the quatrain printed under his name that is Bezmî's.
Âşık Mustafa, with a single ghazal in aruz in the Merzifon Cönkü: his place in the manuscript, the article's syllabic-aruz slip and the first two couplets.
Mahsûnî, with a single koşma in the Merzifon Cönkü: his place in the manuscript, his link with Amasya, a possible reading Mahzûnî, and his first quatrain.
Fethî, with five koşmas in the Merzifon Cönkü: a local poet who addressed the Merzifon beauty Gülfadik, the view that he compiled the cönk, and his namesakes.
Gedâyî, with two koşmas in the Merzifon Cönkü: the case for Tokatlı Gedâî, apprentice of Erzurumlu Emrah, his link with Amasya and the opening quatrains.
Bezmî, with a müseddes and a koşma in the Merzifon Cönkü: the case for Âşık Bezmî of Çankırı, the Bezmîs of Merzifon and Amasya in Hüsameddin, and his poems.
Feyzî, represented by a single ghazal in the Merzifon Cönkü: his place in the manuscript, his slender link with Amasya and why his identity cannot be established.
Kul Hasan, the shepherd minstrel who by local accounts lived in Harız near Merzifon in the 18th-19th centuries: his stand against the kadı, his five lost children, his deyiş.
Sıdkî Baba, Bektashi poet who served the çelebis Feyzullah and Cemaleddin at Hacıbektaş and settled in Harız near Merzifon in 1894: his life, pen names and deyiş.
Dervişoğlu Mehmet, Alevi-Bektashi minstrel born in Diphacı near Merzifon, wounded on the Eastern front and dead in Ankara in 1915: his life, circle and five deyiş.
Âşık Musa Aslan, born in Ardahan, trained at the Hacıbektaş lodge and settled in Merzifon in 1925: his life, his circle and nine songs in the TRT repertoire.
Âşık Deli, represented by one koşma in the Merzifon Cönkü: the record of a minstrel named in no other source, the pen name Deli, Merzifon as a halt for minstrels.
Three ghazals by Bâkî, the great poet of Süleyman's age, in the Merzifon Cönkü: his life and divan, the limits of his link with Amasya and his Amasya namesake.
Rızâ, represented by one ghazal in the Merzifon Cönkü calling the Sufi to the dhikr circle: its lodge-poetry tone, its repetition in the article and poets of the same name.
Zahmî, represented by a müseddes on the mourning of Muharram in the Merzifon Cönkü: the Karbala elegy, its repetition in the article and poets of the same pen name.
Mısrî, represented by one ghazal in the Merzifon Cönkü: the meaning of the pen name, poets who shared it, the Niyâzî-i Mısrî possibility and an identity still unresolved.
Berkî, represented by one semâî in the Merzifon Cönkü and read with a question mark: the Amasya poet Berkî Hasan Çelebi and the unresolved question of identity.
Serbesî, known only from one divânî in the Merzifon Cönkü: the single record of a poet named in no other source, the question of identity and a poem on Jacob and Joseph.
Sürûrî, whose single koşma survives in the Merzifon Cönkü: his record in the cönk, his relation to Gelibolulu Sürûrî, the Sürûrîs of Amasya and Silleli Sürûrî, and his poem.
Zihnî, whose single koşma survives in the Merzifon Cönkü: his record in the cönk, his relation to Bayburtlu Zihnî and the Zihnîs of Amasya, and his letter poem.
Visâlî, whose poem in aruz survives in the Merzifon Cönkü: his record in the cönk, a counting discrepancy in the article, and an identity not to be confused with Visâlî of Aydın.
Hayrî, whose single poem in aruz survives in the Merzifon Cönkü: his record in the cönk, why his identity cannot be established, and his poem on true skill in love.
Âşık Ömer, great minstrel of the seventeenth century: his disputed birthplace and death date, the dating problem of his supposed Merzifon visit, and his poems in the Merzifon Cönkü.
Şem‘î, whose single poem in aruz survives in the Merzifon Cönkü: his record in the cönk, the namesake poets of Prizren and Konya, and the question of identity.
Dertli of Bolu, famous nineteenth-century minstrel: his life, his presence at the Amasya minstrels' gatherings and the koşmas and müseddes recorded in the Merzifon Cönkü.
The identification of the Yesârî with four poems in the Merzifon Cönkü with the Bektaşî minstrel Yesârî of Çankırı: his life, Tokatlı Nûrî's circle and his poems.
The poems of Ârif, of unknown identity, in the Merzifon Cönkü: seven güftes, two dîvâns, a ghazal and a semai on love, a feast day, a campaign and healing.
Firâkî, with one ghazal in the Merzifon Cönkü: the syllabic-or-aruz contradiction in the article, the question of Firâkî of Kütahya and the opening couplet.
The koşma "Elâ gözlerine kurbân olduğum" in the Merzifon Cönkü and the pen name Kerem: the Kerem and Aslı tradition, Âşık Kerem of Kırşehir and Amasya cönks.
Himmetî, with a koşma, a dîvân and a semai in the Merzifon Cönkü and no trace in other sources: his three poems and the open question of his identity.
Nazîf, with ten poems in the Merzifon Cönkü and no trace in other sources: his koşma, his ghazals of admonition and the question of Nazîfî in the Amasya Cönkü.
The life of Tokatlı Nûrî, Emrah's apprentice: Ziya Pasha's fair in Amasya, Eyüb Sabrî's invitations to Merzifon and his thirty-six poems in the Merzifon Cönkü.
The life of Erzurumlu Emrah, his master-apprentice bond with Tokatlı Nûrî, the claim that he came to Merzifon tested against the dates, and his eleven poems in the cönk.
Âşık Rıza Çulha of Sarıyar (Morami): how the musician Burhan Özbakır led him to minstrelsy, and his destan on the 1959 rain, hail and flood disaster in Merzifon.
Dedezâde Seyyid Mehmed Hilmî Efendi (1828-1913): the Merzifon poet patronised by Ziya Pasha, rival of Sıdkı Efendi, whose couplets Hüsameddin wrote down from his own lips.
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