Tâcîzâde Sa'dî Çelebi, scholar and chancery writer from Amasya: his works and the poems preserved in the sources.
The Arabic odes, chancery letters, verse creed, praise of Amasya in Hayrü'l-ahlâm and surviving Turkish couplets of Tâcîzâde Sa'dî Çelebi of Amasya.
Tâcîzâde Sa'dî Çelebi's opening couplet repeated in four anthologies: if only there were no heart in the world, or at least one that did not incline to every beauty.
Tâcîzâde Sa'dî Çelebi's opening couplet preserved only by Sehî Beg: a drinking party whose night is brighter than day, and a wine cup whose lamp is lit from the sun.
Tâcîzâde Sa'dî Çelebi's opening couplet that competes with Mecnun: the lover shut in the corner of separation is madder than Mecnun roaming the desert.
Tâcîzâde Sa'dî Çelebi's single couplet mocking the legendary lovers: what do Ferhad and Mecnun know of love, one a mountain man, the other a madman of the desert.
Tâcîzâde Sa'dî Çelebi's response to a ghazal by his brother Câfer Çelebi: five couplets kept in two anthologies, black fortune, a setting sun, kanun, harp and reed flute.
A response to Necâtî kept in the Pervâne Bey Mecmuası under the name "Sa'dî Çelebi Efendi": a body cracked by tears and a lover whose only visitor is death.
The four-couplet ghazal Âşık Çelebi gives under Tâcîzâde Sa'dî Çelebi: a moon face, a nightingale scattering the rose's ledgers, eyebrows swimming in bloody tears.
Couplets Âşık Çelebi gives to Tâcîzâde Sa'dî and Kınalızâde to the mufti Sa'dî Çelebi: a scholar's reproach for not marrying a chief judge's daughter.
Tâcîzâde Sa'dî Çelebi's Arabic fragment from Hayrü'l-ahlâm likening the gardens of Amasya to paradise and its nightingales to the morning breeze, as quoted by Hüsameddin.
The introduction of Tâcîzâde Sa‘dī Çelebi's Arabic verse creed: praise of God, praise of kalām, the poet's own name and a eulogy of Sultan Bayezid, with Arabic text and translation.
The second section of Sa‘dī Çelebi's verse creed refutes the Sophists, counts three ways of knowledge, rejects inspiration, and defines atom, accident and body.
The power that reddens the rose and scents the musk: Sa‘dī Çelebi sets out God's existence and attributes in Arabic verse and defends the eternity of the Qur'an.
A chain of "ve lā" describing God by what He is not, and the believers' vision of Him in the hereafter: nine couplets of Sa‘dī Çelebi's creed, with translation.
Decree and the servant's choice, capacity that comes with the act, the appointed term and provision, with the poet's own warning to his soul, in Sa‘dī Çelebi's verse creed.
The punishment of the grave, the questioning, the scales, the Pool, paradise and hell are each declared "true"; grave sins and intercession follow. Sa‘dī Çelebi's Arabic verse.
Faith is the heart's assent and works are no part of it: Sa‘dī Çelebi also takes up "a believer, if God wills" and whether the blessed may become wretched.
Why prophets are sent, a piece of reasoning on their number, angels, revealed books, the bodily ascension and the marvels of the saints, in Sa‘dī Çelebi's Arabic couplets.
The order of the four caliphs, the thirty-year caliphate, the imam's duties and conditions, and the rejection of a hidden imam: Sa‘dī Çelebi's verse creed on the imamate.
Wiping over socks and date-wine, the outward sense of scripture, attitudes that lead to unbelief, signs of the Hour, man and angel: the miscellany of Sa‘dī Çelebi's creed.
The conclusion of Sa‘dī Çelebi's Arabic verse creed: counsel to the soul, praise of the work, a prayer line that gives the date 893 by abjad, and blessings.
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