
Deyiş 57 — Yeryüzünde bakmaz mısın bostana
Kul Hüseyin's poem of counsel with the refrain "come, heart, let us be lower than others": the garden that made itself earth, the poplar that never touched the sky, the book of love.

Kul Hüseyin's poem of counsel with the refrain "come, heart, let us be lower than others": the garden that made itself earth, the poplar that never touched the sky, the book of love.

Kul Hüseyin's eight-syllable poem with the redif "from the hand of": the cup from the pir's hand, singing cranes, melting snows and a lover who fears the enemy's tongue.

Kul Hüseyin's poem with the redif "the two of them": two beauties seated right and left, garments of green, the shroud, and Jesus and the Mahdi who will order the world.

Kul Hüseyin's düvaz-ı imam opening "you seek the qibla, the qibla is in you": a face made of light, angels bowing to Adam, and the secret of the Twelve Imams within man.

Kul Hüseyin's eight-syllable nefes with the redif "is Ali": the cypress and plane in Muhammad's garden, the vein in the soul, the belt at the waist, and Ali seen in every imam.

Kul Hüseyin's nefes of counsel with the redif "how will it be": the road that does not lie in words, the belt from the pir's hand, and the search for a guide to the Friend.

Kul Hüseyin's nefes with the redif "there is": strife among the people of the age, manners gone, people worshipping greed, the ledger of deeds and the scale in the grave.

Kul Hüseyin's nefes with the redif "did you hear?": the sultan of sultans passed away, the door of mercy locked, the door of darkness opened, and a sharp reproach.

Kul Hüseyin's nefes with the redif "let him come": a call to one who would see the radiant face, pour wine in the cem and kill the devil in his self.

Kul Hüseyin's poem "now one pain of ours has become five": a pain that grew from one to ten, a seeker who left the pir's precept, and awaited summers that turned to winter.

Kul Hüseyin's "destan of the ages": the stages of human life from birth to a hundred; a fresh sapling, a cypress stature, a caravan's load, an owl-haunted ruin and a station near God.

Kul Hüseyin's eight-syllable poem with the redif "turns": brave men on Arab horses, a beloved with sugared lips, a rosebud on a red cheek, and a soul turned into a sacrifice.

Kul Hüseyin's lament-nefes for Imam Hüseyin: a heart longing for the desert of Karbala, the wish to stand at the gallows like Mansur, dervishes in the semah and orphaned lambs.

Kul Hüseyin's nefes with the refrain "did you see, my crane?": Mother Fatma in Medina, Ali at Najaf, Hüseyin at Karbala, and questions put to a crane touring the holy places.

Kul Hüseyin's twenty-quatrain tevhid and miraçlama: Ali seen upon the Throne, the Burak of the Ascension, the cup and grape of the Forty, and "your flesh is my flesh".

Kul Hüseyin's nefes and düvaz-ı imam on the cycle of the soul: "I have come again and gone again", a journey from Adam to the Mahdi, Noah's ark, Job's worm and the flower in the hive.

Kul Hüseyin's poem of a lover fallen for a fickle beloved: a heart passing from state to state, the wise driven mad, and a line with the disputed date 1220.

The deyiş "İçmiş isen aşk meyinden", published under Kul Hüseyin's name on a deyiş website from a music album: unity of sea, pen, love, and of Ali, saint and pir, through the redif "one".

The deyiş "Gönül niçin beni zari zar ağlatırsın", published without a source under Kul Hüseyin's name on a deyiş website: the oath of a lover who will not break his pledge or love another.
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