
Habib-i Karamânî: Writer and Works
The lost book of counsel of Habib-i Karamânî, Khalwati sheikh who died in Amasya, the Etvâr-ı Seb'a couplets Hüsameddin quotes and the sayings his disciple Dâvûd commented on.

The lost book of counsel of Habib-i Karamânî, Khalwati sheikh who died in Amasya, the Etvâr-ı Seb'a couplets Hüsameddin quotes and the sayings his disciple Dâvûd commented on.

The long-unknown forty-two Arabic Sufi treatises of İsmail Şirvânî, the Khalidi sheikh who died in Amasya, their 2018 edition and his words calling Amasya "the bed of learning".

The fatwa collection, abridged Hidaya and Treatise of Counsel of Zenbilli Ali Efendi, mufti of Amasya and shaykh al-Islam, with the devran treatise and verse fatwa ascribed to him.

The hadith and merit treatises Molla Arap, the Arab Preacher, offered to Bayezid II, his holy-war treatise before Chaldiran, and his letter to the Khalwatis with its echo in Amasya.

The Behcetü't-tevârîh, Menhecü'r-reşâd and prayer book of Şükrullah, historian of Amasya: their copies, editions and the Amasya records Hüsameddin took from his history.

The three Turkish works of the Amasya physician Sabuncuoğlu: the Akrâbâzîn translation, the illustrated Cerrâhiyyetü'l-Hâniyye and the Mücerrebnâme, with their copies and editions.

Sürûrî, whose single koşma survives in the Merzifon Cönkü: his record in the cönk, his relation to Gelibolulu Sürûrî, the Sürûrîs of Amasya and Silleli Sürûrî, and his poem.

Zihnî, whose single koşma survives in the Merzifon Cönkü: his record in the cönk, his relation to Bayburtlu Zihnî and the Zihnîs of Amasya, and his letter poem.

Visâlî, whose poem in aruz survives in the Merzifon Cönkü: his record in the cönk, a counting discrepancy in the article, and an identity not to be confused with Visâlî of Aydın.

Hayrî, whose single poem in aruz survives in the Merzifon Cönkü: his record in the cönk, why his identity cannot be established, and his poem on true skill in love.

Âşık Ömer, great minstrel of the seventeenth century: his disputed birthplace and death date, the dating problem of his supposed Merzifon visit, and his poems in the Merzifon Cönkü.

Şem‘î, whose single poem in aruz survives in the Merzifon Cönkü: his record in the cönk, the namesake poets of Prizren and Konya, and the question of identity.

Dertli of Bolu, famous nineteenth-century minstrel: his life, his presence at the Amasya minstrels' gatherings and the koşmas and müseddes recorded in the Merzifon Cönkü.

The identification of the Yesârî with four poems in the Merzifon Cönkü with the Bektaşî minstrel Yesârî of Çankırı: his life, Tokatlı Nûrî's circle and his poems.

The poems of Ârif, of unknown identity, in the Merzifon Cönkü: seven güftes, two dîvâns, a ghazal and a semai on love, a feast day, a campaign and healing.

Firâkî, with one ghazal in the Merzifon Cönkü: the syllabic-or-aruz contradiction in the article, the question of Firâkî of Kütahya and the opening couplet.

The koşma "Elâ gözlerine kurbân olduğum" in the Merzifon Cönkü and the pen name Kerem: the Kerem and Aslı tradition, Âşık Kerem of Kırşehir and Amasya cönks.

Himmetî, with a koşma, a dîvân and a semai in the Merzifon Cönkü and no trace in other sources: his three poems and the open question of his identity.

Nazîf, with ten poems in the Merzifon Cönkü and no trace in other sources: his koşma, his ghazals of admonition and the question of Nazîfî in the Amasya Cönkü.

The life of Tokatlı Nûrî, Emrah's apprentice: Ziya Pasha's fair in Amasya, Eyüb Sabrî's invitations to Merzifon and his thirty-six poems in the Merzifon Cönkü.

The life of Erzurumlu Emrah, his master-apprentice bond with Tokatlı Nûrî, the claim that he came to Merzifon tested against the dates, and his eleven poems in the cönk.

The books of the Amasya-born historian Mustafa Cezar: the Mufassal Osmanlı Tarihi, the Levends, Osman Hamdi, his studies of markets and Istanbul, and where Amasya appears in his work.

The books of Alişanzâde İsmail Hakkı, critic and translator of the intermediate generation: the Türk Muharrirleri series, the Elem Çiçekleri translation and the unverified Amasya link.

Tarîku'l-Edeb (1453) by the Amasya teacher Ali b. Hüseyin el-Amâsî, the treatise on prosody attributed to him and his other works: manuscripts, editions and samples of his prose.

The Greek sermons and martyr panegyrics of Asterius, bishop of Amaseia: their editions and translations, the passage naming the shrine of Phocas, and a tradition tied to the Aynalı Mağara.

Strabo of Amaseia's lost Historical Sketches and his seventeen-book Geographika: the contents book by book, and the Greek passages on Amaseia with their English translation.

Prince Ahmed, governor of Amasya for thirty years, as a poet: Hüsameddin's record calling him a poet, the silence of the anthologies, his lost poems and his court poets.

Mehmed I, who rose from Amasya, as a poet: the single ghazal quoted in his name, the silence of the anthologies, the question of attribution and his circle of poets.

Âşık İsa Gedik, folk poet of Gümüşhacıköy: his 1969 Keşli destan, the last phase of itinerant destan-selling, and the limits of what is known of his life.

Âşık Rıza Çulha of Sarıyar (Morami): how the musician Burhan Özbakır led him to minstrelsy, and his destan on the 1959 rain, hail and flood disaster in Merzifon.

Âşık Ahmet Abacı of Sarıyar (Morami): how he became a minstrel, his destans of 1959-1961 and his first-hand account of how itinerant destan-selling worked.

Halil İbrahim Alkaç (1934-1994) of Gümüşhacıköy: the saz he learned from zâkirs, the destans he had printed in 1959-1965 and his Bafra plane destan.

Izzî, one of Hüsameddin's Amasya folk poets: his single record, the reading Garibî in a recent study, and how he differs from Dâî, who first wrote as Izzî.

Seyfî, a folk poet of seventeenth-century Amasya: his single entry in Hüsameddin, his period, and how he differs from namesakes such as Seyfî of Sinop.

Hüznî, counted by Hüsameddin among the folk poets of seventeenth-century Amasya: his single-source record, his period, the plaintive mani and their loss.

Mehmet Karagöz, named in the list of Gümüşhacıköy minstrels: the source of the name, his tie to Amasya and why he must not be confused with Karagöz of Kayseri.
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