
Âzerî İbrâhim Efendi: The "Fire" Poet and Scribe of Amasya
Âzerî İbrâhim Efendi, chief court scribe, Torumtay madrasa teacher and deputy judge of Amasya: his life, the four elements circle, his quatrain to Âbî and his namesake.

Âzerî İbrâhim Efendi, chief court scribe, Torumtay madrasa teacher and deputy judge of Amasya: his life, the four elements circle, his quatrain to Âbî and his namesake.

Âbî Mehmed Çelebi, son of the water-channel keeper Çekem Osman and treasury secretary: Amasya's "four elements of letters", his verse duel with Âzerî and two poems.

Çeşmî Mehmed Çelebi, secretary in Prince Ahmed's Amasya divan: his life, his circle with Mihrî and Figânî, the puzzle of his name and the two poems Hüsameddin preserved.

Kara Müftîzâde Mustafa Vâzıh, three times mufti of Amasya and three times dismissed, exiled to Lemnos and author of the city's first history: his life, works and Dîvânçe.

The poetry of Fedâî Baba, Hak âşığı of Yassıçal: the 252-poem divan compiled by Çelebi, the pen name received in a dream, Sufi and Alevi-Bektashi belief, Karbala and Atatürk.

The life and poetry of Ahmed Nedîm, poet of the Tulip Era, and his disputed link with Amasya through his grandfather, a military judge from Merzifon, with details found only in Hüsameddin.

The life of Edâyî, companion and divan secretary of Prince Mustafa in Amasya and later fief treasurer under Piyâle Pasha, his place in the anthologies and his surviving couplets.

Âşık Paşa, grandson of Baba İlyas and poet of the Garibnâme: Hüsameddin's claim that he was a native of Amasya, the TDV's Kırşehir view, his life, works and descendants.

The poet behind the mufti of Amasya: Abdurrahman Kâmil Efendi's Divançe in the National Library, his fourteen Turkish poems under the pen name Kâmil, his metres and divine love.

The life of Hızrî of Amasya, a descendant of Hızır Pasha who served as an imperial council secretary under Selim I and Süleyman, his mesnevi Âb-ı Hayât and his place in the anthologies.

The life and poetry of Gevherî, celebrated minstrel poet of the seventeenth century, and Nihad Çetin's claim linking him to the Gümüş mine and Merzifon, which encyclopedias treat cautiously.

Ahmedî, author of the first İskendernâme in Turkish: his Amasya origin according to Hüsameddin, his years with Şâdgeldi Pasha and Çelebi Mehmed, his works and his death in Amasya.

Zârî Mehmed Çelebi of the Tokatîzâde family, secretary in Prince Mustafa's Amasya divan: his handwriting, his wine parties, his fate after the prince's death and five couplets.

Rıdvanzâde Cenânî, secretary and keeper of the registers at Prince Ahmed's divan in Amasya, pupil of Münîrî and famed calligrapher: his life, execution and surviving verse.

A sixteenth-century woman poet of Amasya from the Halvetî İğnecizâde family, wife of Gümüşlüzâde Muhyiddîn Çelebi, who according to Hüsameddin learned poetry from Mihrî Hatun.

Hüsameddin ties Hayzurân to Harşene, the old name of Amasya; TDV calls her a Yemeni slave girl. The two accounts, the conflict of sources and the Arabic quatrain attributed to her.

Râziye Hatun, daughter of Mehmed Çelebi, was a woman poet according to Hüsameddin and a companion of Şehzade Mustafa. The entry, her life, and her unknown poems.

Ümmü Gülsüm Hatun (Şerîfe), daughter of Amasya's deputy naqib al-ashraf, was a poet and edîbe by Hüsameddin's account; she endowed the Emîr Pasha Lodge and died in 1649.

The full text of Taşlıcalı Yahya's seven-stanza terkib-i bend on Prince Mustafa, Amasya's sanjak governor killed in 1553, with an English rendering and commentary.

Beside Zeyneb, Mihrî and Hubbî, the women Hüsameddin records as poets, Sâfiye, Râziye and Ümmü Gülsüm Hatun, and Hayzürân, claimed for Harşena: Amasya's women poets and their sources.

The nineteen elegies written on the death in 1553 of Prince Mustafa, sanjak governor of Amasya, from Taşlıcalı Yahya's terkib-i bend to Kara Fazlî, Sâmî and Nisâyî.

The lesser-known poets of Prince Ahmed's court in Amasya, from Çeşmî, Şermî and Melîhî to Penâhî and Kutbî-i Câmî, with the conflicting sources and their surviving couplets.

Born in Amasya, Selim I (Selim the Grim) wrote a Persian divan as Selîmî; this covers its editions, the Amasya manuscript, the biographers' verdicts and his poems with translations.

The surviving poems of Prince Mustafa, who wrote as Muhlisî, and the poets of his Amasya court, from Zârî, Senâyî, Zamânî and Şikârî to Edâyî and Emânî.

The poetry of Prince Korkut, born in Amasya and writing as Harîmî: his Arabic works, his lost divan and surviving divançe, the biographers' verdicts and his poems.

The single-copy divan of the poet-sultan Kadı Burhaneddin of Sivas, his ghazals and tuyughs, its editions, and the traces his wars with Amasya's emirs left in his verse.

Abdî Efendi, professor of the Abdullah Paşa madrasa, compiled a tezkire of the poets of Amasya from 1591 to 1671; it was lost in a fire, and only a few of its poems survive.

The poetry of Gelibolulu Sürûrî, Prince Mustafa's tutor in Amasya: his praise of the prince in the Bahrü'l-maârif, his verse reply to Gubârî and couplets preserved in the tezkires.

The poetry of the Amasya-born kadıasker Müeyyedzâde Abdurrahman Çelebi (Hâtemî): a Persian dagger kaside for Bayezid II, a letter ghazal for Prince Ahmed and couplets kept in the tezkires.

The poetry of Kara Fazlî, Prince Mustafa's divan secretary in Amasya: the mesnevi Gül ü Bülbül, kasides for the prince, chronograms for his court, the Lâdik ghazal and elegies.

Âfitâbî joined Prince Bayezid's circle in Amasya, was removed from it and ended his life preaching in retreat: his lost divan, his place in the anthologies and his surviving poems.

The witty poet Basîrî, who came from Herat to Istanbul: his Turkish and Persian verse, his jests, Hüsameddin's account of him as a man of Amasya, and his surviving poems.

The poetry of Hubbî Hatun, from a family of Amasya and companion to Selim II: fragments of her lost mesnevi Cemşîd ü Hurşîd, the holy-war poems of İmâdü'l-cihâd and the biographers' praise.

The poetry of Cezerî Kasım Paşa, Prince Bayezid's treasurer in Amasya and later vizier, under the pen name Sâfî: his mastery of proverbs, his unique divan and the surviving couplets.

The lost divan presented to Mehmed II, the Amasya-Kastamonu debate, the verdicts of the biographers and the surviving poems of the fifteenth-century poet Zeyneb Hatun.

The surviving couplets, lost letters and disputed life of Tâcî Bey, munshi, calligrapher and defterdar to Prince Bayezid in Amasya and father of the Tâcîzâde brothers.
Karekod · QR code
Bu sayfanın karekodudur. A5 olarak yazdırıp asabilir ya da yapıştırabilirsiniz; okutan kişi doğrudan bu içeriğe ulaşır.
This QR code links to this page. Print it on A5 and post it anywhere; scanning it opens this content.