Abdullah Doğan, named in the list of Gümüşhacıköy minstrels: the source of the name, his tie to Amasya and why no other record of his life or poems has been found.
Fehmi Dedeoğlu, named in the list of Gümüşhacıköy minstrels: the source of the name, his tie to Amasya and why no other record of his life or poems has been found.
Âşık Veli, named in the list of Gümüşhacıköy minstrels: the source of the name, the tie to Amasya and why poems signed Veli cannot be assigned to him.
Âşık Yıldız, named in the list of Gümüşhacıköy minstrels: the source of the name, the tie to Amasya and why no other record of the minstrel's life has been found.
Fukara Derviş, named in the list of Gümüşhacıköy minstrels: the source of the name, his tie to Amasya and why no other record of his life or poems has been found.
The literary personality and works of the Tanzimat poet Ziya Pasha, where his years as governor of Amasya meet his literary life, and why no Amasya poem of his is known.
The poetry of Hüseyin Hüsâmeddîn Yasar, author of the History of Amasya, as Asrî: his Amasya murabba, tahmis on ghazals by Nelmî and Rüşdî, and a ghazal reproaching his town.
Şirvânîzâde Mehmed Rüşdü Pasha, born in Amasya's Yâkûtiye quarter and later grand vizier: his Amasya years, his exile, Hüsameddin's account and his ghazal signed Rüşdî.
Dedezâde Seyyid Mehmed Hilmî Efendi (1828-1913): the Merzifon poet patronised by Ziya Pasha, rival of Sıdkı Efendi, whose couplets Hüsameddin wrote down from his own lips.
Hıfzî of Merzifon (1851-1892): the life and ghazal of a poet who travelled far with his father, earned the title "Gazi" in the War of 93 and wrote in divan and folk forms.
Eyüb Sabrî of Merzifon (1843-1866): friend of Ziya Pasha, host of Nûrî of Tokat, a young poet of both aruz and syllabic verse, with his divan and his poems in the Merzifon Cönkü.
Hicabî Derviş (1938-2013), Alevi-Bektashi minstrel from Alıcık near Merzifon: apprentice of Yanyatan Ali, cem zakir, his early pen names and poetry rooted in tekke tradition.
The poetry of Âşık Özlemî (Muammer Badem) of Gümüşhacıköy: his master-apprentice path, the story of his pen name, his düvaz and deyiş, "Değme Felek" and other songs of parting.
Abdal Ağasızâde İsmâil Hakkı Efendi, the bağlama poet whom Hüsameddin named as the best keeper of the plaintive mani of Amasya's old folk poets, and his single-source record.
Dertli Garip, Bektashi poet from Kırca in Gümüşhacıköy: his path begun with Derviş Ruhan, the pen name he chose himself, his eleven poems and his own commentary on them.
Hüseyin Çemrek, the minstrel who went from shepherding in Yukarı Ovacık, Gümüşhacıköy, to the stage: his gold record, AŞ-DER, his view of minstrelsy and his book.
Ali Divanî, Alevi-Bektashi minstrel born in Küçükçay near Merzifon: the gift inherited from his grandfather Nikabî, Âşık İrfanî's influence, his pen name and his poetry.
Fatma Üzüm, a woman minstrel born in Amasya who sings bozlak, barak and laments: her master, the minstrels she admires, her themes and the limited sources about her.
The life of the Mevlevi poet Ahmed Remzi Akyürek, his one-day visit to Amasya in 1936, his friendship with Emrî Efendi and the ghazal "Amasya İçin" he sent to the city.
The treatises of Hicâbî, the Crimean Naqshbandi sheikh who founded a lodge at Ziyâre, his prose citing Âşık Paşa and Ahmedî, his chronogram for Gâlib Pasha and Hüsameddin's entry.
Şânî Süleyman Çelebi, scribe of the Amasya Janissaries, musician and epic singer: his nickname Şanlı Çelebi, his robe of honour, his burned epic and his disputed death date.
Odabaşıoğlu Âşık Mehmed Ağa, Janissary sergeant who played the çöğür and sang epics: his family, the Selağzı coffeehouse, the Âşıkoğulları and his lost poems.
Celâlî Mehmed Ağa of the Türedioğlu family: the sipahi minstrel who recited epics at the Yüksek Kahve in Amasya, the Abaza Hasan Paşa rising and his execution in 1659.
Kul Fakir Ali Oymak, Alevi-Bektashi minstrel of Merzifon: his discipleship to Kul Hüseyin, devotion to the Hacı Bektaş çelebis, the Gaziler Ovacığı âşıks and twelve deyiş.
Hamdî Hamdullah Çelebi of the Nefîsoğlu family, a descendant of Elvan Çelebi: secretary and nişancı of Prince Mustafa in Amasya, calligrapher and poet, and his family.
Sirâcî, the poet who wrote the most elegies for Prince Mustafa: his divan at Istanbul University, the question of Sirâcî of Germiyan, and his four poems for the prince.
Hayâlî-i Gülşenî (Sheikh Ahmed Efendi) of Tabriz: his life in Cairo, his divan, and his twenty-stanza elegy in which Prince Mustafa addresses his father, the sultan.
Kâdirî, a poet of uncertain identity who wrote an eleven-stanza elegy for Prince Mustafa: the anthology found by İsen, two Kâdirîs in the tezkires, and a stanza shared with Hasbî.
Selîmî, a poet of unknown identity who wrote a seven-stanza murabba elegy on the death of Prince Mustafa in 1553: what the sources say, the pen-name confusion and his poem.
Mu'înî, a poet of unknown identity who wrote a seventy-seven-couplet elegy for Prince Mustafa: the two Mu'înîs of the anthologies, Güldaş's text and the poem.
Hasbî of Gediz, brother of Keşfî: ten years in a dungeon, the pen name Habsî, the anthologists' harsh verdicts, and his elegy and chronogram for Prince Mustafa.
Nisâyî, thought to be a woman poet, who wrote two elegies on the death of Prince Mustafa: Çavuşoğlu's findings, the circle of Mahidevran Sultan and open reproach of the sultan.
Sâmî, whose muaşşer for Prince Mustafa openly condemns the sultan: the question of identity, the cavalryman in Safâyî, the Şâmî who governed Amasya, and his poem.
Müdâmî Kara Memi Çelebi, author of a seven-stanza elegy for Prince Mustafa: cavalryman and treasury trustee, or judge from Gelibolu; what the anthologies say, and his poem.
Edirneli Nazmî, soldier poet and compiler of the Mecma'u'n-nezâ'ir: his life, works, Türkî-i Basît experiments, and his ties to Prince Mustafa and Rüstem Pasha.
Nakkaş Bâlîzâde Pîr Mehmed Çelebi, Rahmî of Bursa: a life spent seeking patronage, his divan and mesnevis, and the measured terkib-i bend he wrote for Prince Mustafa.
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