Fünûnî of Kastamonu: his life in Âlî's mocking entry, his quarrel with Cân Memi, and his elegy recounting Prince Mustafa's death at Karaman from beginning to end.
Dukakinzâde Taşlıcalı Yahya Bey: from janissary to poet, his hamse, his ties to Rüstem Pasha, and the elegy for Prince Mustafa that sent him into exile at Zvornik.
Âsafî Ahmed Bey, descendant of Vizier Firârî Hasan Pasha: an alaybey who deserted a Russian campaign, turned dervish and sang destans in a coffeehouse in Amasya.
Âşık Ahmed Çelebi, called İmâmzâde: son of the imam of the Kocacık Mosque, a seventeenth-century folk and saz poet of Amasya who rose to fame in 1070.
Cihâdî Ahmed Ağa, the Amasya janissary minstrel nicknamed Altıncı, whose destans heartened the troops at Candia and won him the favour of Grand Vizier Fâzıl Ahmed Pasha.
Senâyî, who came from Manisa to Amasya with Prince Mustafa and became its judge in 1548: Âşık Çelebi's harsh verdict, Kınalızâde's praise, nine couplets and a tangled identity.
Emânî Mehmed Çelebi of the Culğazâde: the poet and calligrapher whose fine hand made him a secretary in Prince Mustafa's Amasya divan, where he served ten years before dying around 958.
From Edirne according to the tezkires, from Amasya according to Hüsameddin: Zamânî Mahmud Çelebi, Prince Mustafa's segban secretary, his uncertain fate and three couplets.
Senâyî Mehmed Çelebi of the Hacı Enbiyâzâde: from endowment secretary to Prince Mustafa's Amasya divan, his disgrace after 1553 and an identity tangled with Senâyî of Manisa.
Penâhî, the poetic name of the palace head painter Şahkulu: his place at Prince Ahmed's Amasya court, records at odds with a 1515 exile document, the saz style and two couplets.
Melîhî of Tokat, Ahmed Paşa's teacher and Mehmed II's witty companion: his life in the tezkires, the repentance story, Hüsameddin placing him in Prince Ahmed's circle, his poems.
Kutbî-i Câmî Ahmed Çelebi, said to be Molla Câmî's nephew: his posts as secretary and chancellor in Prince Ahmed's Amasya divan, his feud with Tâceddin Paşa and conflicting records.
The poetry of Nigârî, the Naqshbandi sheikh who came from Karabakh to Amasya: his Turkish and Persian divans, Nigârnâme and Çaynâme, his syllabic poems and Hüsameddin's view.
The divans, mesnevis and socially minded verse of the historian and poet Mustafa Âlî, governor of Amasya in 1595, with Hüsameddin's verdict and his Amasya müseddes.
The life, divan and surviving poems of Nelmî, born in the Hacı Hamza quarter, made a müderris in Istanbul, who ended his short life in Amasya, as recorded by Hüsameddin.
Hâfız Şermî Osman Çelebi of Amasya: chief muezzin of the Sultan Bayezid Mosque, the "best-mannered" poet of Prince Ahmed's circle, his poet brothers and son Belîğî.
Keşfî Mehmed Çelebi of Amasya, private secretary of Selim I: the Hızır Pasha family, his Selimnâme on the Iranian and Egyptian campaigns, his Persian grammar and his poetry.
Abdürrahîm-i Rûmî, Zeyniyye sheikh of Merzifon: his years with Zeynüddin el-Hâfî, the favour of Murad II, the dispute over his death date and his one surviving couplet.
Makâmî of Siroz, musician and imam to Prince Ahmed, who exchanged verses with Mihrî Hatun at the Amasya court: his life, death at Baghdad, ghazals and a disputed poem.
Seyfî of Sinop, a judge and friend of Bayezid II from his princely years in Amasya: the poet who added couplets to his petitions, his namesakes and the poems kept in the tezkires.
Derûnî-i Sânî, the tanbur master of Manisa who served Prince Mustafa and then Prince Selim: the accounts of Beyânî and Kınalızâde, his Amasya link and two fragments.
Tayyibzâde Lutfî Efendi, counted by Hüsameddin among Prince Mustafa's poet companions: the Tayyibzâde family of Amasya and an identity entangled with his father Tayyib Efendi.
Lütfullah Lutfî Bey, treasurer of Prince Mustafa in Amasya: counted a poet by Hüsameddin, remembered in the tezkires only as the father of the poet Kudsî Mehmed Çelebi.
Hazînedârzâde Şikârî, sekbanbaşı and confidant of Prince Mustafa: an identity confused with two namesakes, his Amasya link and the three couplets Âşık Çelebi preserved.
Şehrî, the Amasya poet whom Hüsameddin names in his entry on Çeşmî together with Mihrî, Figânî, Şermî and Münîrî: possible identifications and the silence of the sources.
The Kâmî named by Hüsameddin in the circles of Prince Ahmed and Prince Mustafa, and Kâmî Mehmed Çelebi, Şeyh Cemâl's nephew in the tezkires: identity and the lost Yûsuf u Züleyhâ.
Kutb-ı Şirvânî, the sultan's physician at Prince Ahmed's Amasya court and head of the "Poles" faction: Hüsameddin's account, his execution in 1513, his identity and the question of poetry.
The pen names Ânî and Zeyrekî, given by Hüsameddin to Seyrekzâde Ahmed Çelebi of Amasya and by the tezkires to Zeyrekzâde Mehmed Çelebi of Bursa, and the poems that survive.
Âhû Hatun of Amasya, daughter of Âsâyiş Beyzâde Yûsuf Bey and founder of a tomb endowment: the name Hevâyî in Hüsameddin's heading, the Hevâyî of the four elements and silent sources.
The life and poetry of al-Mutanabbi, poet of Sayf al-Dawla, and Hüsameddin's reading that brings him to Amasya: how the Harşene, Samandu and Konstantin couplets stand against the sources.
Belâyî, kadı and poet of Amasya and father of Mihrî Hatun: the conflict between the names Hasan, Mehmed and Bilâlî, family details confused with Zeyneb Hatun, and his lost poems.
Îdîzâde Âkif Mustafa Efendi, twice mufti of Amasya and a teacher for forty-five years: his life, divan, Arabic maqamas and poetry according to Hüsameddin and his grandson.
Ali Bâkî Gül, Bektashi poet who served as imam in Harız near Merzifon and died there: his life, divan, mevlid and epics, and the sources that differ on where he was born.
Murad III, pen name Murâdî: the prince Hüsameddin placed in Amasya in 1566-1568 while the TDV keeps him twelve years in Saruhan; his life and his poetry.
Şeyhülislam and poet Kemalpaşazâde (İbn Kemal): Hüsameddin's claim that he was born in Amasya's Süveyda quarter, the Tokat and Edirne views, his life and his works.
İbrâhim Cûdî, born in Merzifon, schooled in Amasya, teacher in Salonica and Istanbul and deputy for Amasya: Hüsameddin's record, his life, his single-copy divan and his poems.
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