Original Ottoman Turkish Text
Metre: mefā‘īlün mefā‘īlün fe‘ūlün
Gözüñ ḫancer benümçün çekdi ẓāhir
Döker bir ṣūret ile ḳanum āḫir
In English
1. Your eye has openly drawn a dagger for my sake; in the end it will find some way to shed my blood.
Literary and Historical Commentary
Structure of the Poem
This couplet is the first of the seventeen muammas (name riddles) gathered in the edition under the heading "Muammalar". Its metre is "mefā‘īlün mefā‘īlün fe‘ūlün"; the two lines rhyme on the words "ẓāhir" and "āḫir". The muammas are found in all three manuscripts of the divan (VT 179b-180b, VY 151a-152b, Ü 63b-65b) in the same order; only in Ü are the 10th and 11th muammas transposed, and the 12th muamma and those after it are missing from Ü.
The edition's heading gives the solution as "Mu‘ammā-yı ‘Alī Beg", that is, "the riddle of Ali Bey"; in his introduction, listing the names that emerge from the muammas, Ersoy cites it as "Ali Bey". The sources do not say who this Ali Bey was, and nothing in the couplet identifies him.
Meaning and Figures of Speech
According to the definition in the TDV İslâm Ansiklopedisi, a muamma is an utterance that points to a name indirectly, by allusion, hint or sign. The letters of the hidden name are extracted from the words of the couplet by procedures called "amel"; particular signal words are used to drop letters, move them or remove their dots. Ersoy does not show how the solution is reached letter by letter, and we have not been able to reconstruct the calculation with confidence from start to finish. The Kubbealtı Lugatı explains the Arabic word "ayn" as eye; ayn is also the name of the first letter of the name ‘Alî. The word "eye" in the couplet may point to this letter, but this remains only a clue (our reading).
On its surface the couplet builds a familiar scene of divan poetry: the beloved's glance is a dagger drawn against the lover, and in the end it sheds his blood. The words "ẓāhir" (openly) and "āḫir" (in the end) say that the threat is both in plain sight and inescapable. The TDV notes that the word "âhir" is used in muammas to point to a final letter; it is striking that the word stands here in the rhyme, but we cannot show its role in the solution.
Bibliography
Primary sources
- Ersen Ersoy (ed.), II. Bayezit Devri Şairlerinden Münîrî ve Dîvânı (İnceleme-Metin), Ankara: Ministry of Culture and Tourism Publications, 2017 (e-book), pp. 385-386, Muamma 1 (introduction p. 6). https://ekitap.ktb.gov.tr/Eklenti/56095,muniri-divanipdf.pdf (archived copy: https://web.archive.org/web/20220803084052/https://ekitap.ktb.gov.tr/Eklenti/56095,muniri-divanipdf.pdf?0)
Academic studies
- M. A. Yekta Saraç, "Muamma" (Türk Edebiyatı), TDV İslâm Ansiklopedisi, vol. 30, Ankara 2020, pp. 320-321. https://islamansiklopedisi.org.tr/muamma
Books
- Kubbealtı Lugatı (Misalli Büyük Türkçe Sözlük), entry "ayn". https://lugatim.com/s/ayn
Online sources






