Original Ottoman Turkish Text
Metre: fā‘ilātün fā‘ilātün fā‘ilün
Ḳāmetüñle serv hem-bālā degül
Lāle-ḫaddüñ ile gül hemtā degül
Müntehā ḳaddüñ görüp didi göñül
Bu belādur ‘āşıḳa bālā degül
In English
1. The cypress is not of a height with your stature; nor is the rose equal to your tulip-like cheek. Seeing the utmost height of your stature, the heart said: This is not a stature (bâlâ) for the lover; it is an affliction (belâ).
Literary and Historical Commentary
Structure of the Poem
The poem is a four-line tuyugh; in the edition it is the seventh of the tuyughs (tyğ 7). The metre is "fā‘ilātün fā‘ilātün fā‘ilün". The redif is "degül" (is not) and the rhyme words are "hem-bālā", "hemtā" and "bālā"; the third line ("göñül") is unrhymed. The rhyme words of the first and fourth lines both carry the same word "bālā". The quatrain is found in all three manuscripts (VT 177b, VY 149a, Ü 61b). It is not known for whom or when it was written.
Meaning and Figures of Speech
The Kubbealtı gives "bâlâ" the senses up, high, and stature, height, and "belâ" the senses of a situation causing great distress, trouble, calamity. The art of the tuyugh rests on the similarity of sound between these two words: in the last line it is said of the beloved's stature, "bu belādur ‘āşıḳa bālā degül", this is an affliction for the lover, not a stature. "Hem-bālā" (equal in height) in the first line and "bālā" (stature) in the fourth rhyme on the same word, while "belā" echoes this rhyme within the line. The punning manner that the TDV notes for the tuyugh is plainly seen in this quatrain.
The first two lines reject two well-known comparisons: the cypress is not equal to the stature, nor the rose to the cheek. The Kubbealtı explains "müntehā" in the third line as the last point a thing can reach. The same dictionary records under "sidre" that in literature the Sidretü'l-müntehâ (the Lote Tree of the Utmost Boundary) stands for the beloved's tall, hard-to-reach stature, and gives as an example Ahmed Paşa's couplet "Sidreye benzettiğim ayb etme cânâ kaddini / K'anı benzetmekte bundan müntehâsın bilmedim". We think that the phrase "müntehā ḳaddüñ" also recalls this image (our reading). The stature is so lofty that for the lover it ceases to be a beauty and becomes an affliction.
Bibliography
Primary sources
- Ersen Ersoy (ed.), II. Bayezit Devri Şairlerinden Münîrî ve Dîvânı (İnceleme-Metin), Ankara: Ministry of Culture and Tourism Publications, 2017 (e-book), p. 381, tyğ 7 (introduction pp. 7-8, 15-18). https://ekitap.ktb.gov.tr/Eklenti/56095,muniri-divanipdf.pdf (archived copy: https://web.archive.org/web/20220803084052/https://ekitap.ktb.gov.tr/Eklenti/56095,muniri-divanipdf.pdf?0)
Academic studies
- Nihat Öztoprak, "Tuyuğ", TDV İslâm Ansiklopedisi, vol. 41, İstanbul 2012, pp. 450-451. https://islamansiklopedisi.org.tr/tuyug
Books
- Kubbealtı Lugatı (Misalli Büyük Türkçe Sözlük), entries "bâlâ", "belâ", "müntehâ" and "sidre". https://lugatim.com/s/sidre
Online sources






