Prince Bayezid's lament with the redif "elinden el-gıyâs" (help against): a stature bent like a letter, a rose garden pitiless to the nightingale, a breast pierced like a reed flute.
Prince Bayezid's second "el-gıyâs" ghazal, sharing its redif with G.14: a beloved who is a sultan oppressing her servant, a chain of locks, mischief-making eyes and a pain without cure.
Prince Bayezid's ghazal with the redif "genc" (treasure): love hidden in the heart, locks as a dragon talisman, union bought with the soul, and love as a gift of God.
Prince Bayezid's second ghazal with the redif "genc": union as treasure, a double entendre between the age of the down and the last age, and counsel to keep love hidden.
Prince Bayezid's ghazal of musk and medicine: chain-like locks, musk without a market in Rûm, a down that taxes Cathay, and a threshold above throne and crown.
Prince Bayezid's ghazal joining love and counsel: a sun eclipsed by a cap worn aslant, a heart-breaking pilgrim, "es-sabru miftâhu'l-ferec" and good deeds scattered on the water.
Prince Bayezid's chess ghazal with the redif "ruh": a double entendre between cheek and rook, the mole as a pawn on the chessboard of the cheek, and a move against Şâhî's soul.
Prince Bayezid's ghazal that opens on a festival morning: people rejoicing while the lover cannot kiss the beloved's feet, an answer to a preacher, and "the grave of a martyr".
Prince Bayezid's ghazal measuring paradise and hell against the beloved: the spark of separation, an ivory throne and golden crown, the mirror of the cheek and a Tûbâ-tall stature.
Prince Bayezid's ghazal that closes with self-praise: the soul as a courier in service, the heart refined like gold in the crucible, a play on Şirin and Ferhad, and the pearl of verse.
Prince Bayezid's ghazal of reproach with the redif "yok mıdur": lovers whose blood goes unavenged, union put off, the land of separation, a pale face and a play on Şirin.
Prince Bayezid's second ghazal with the redif "yok mıdur": an army of down raiding the heart, a claim to the lordship of love, locks like the huma's shadow and a glance of favour.
Prince Bayezid's ghazal with the redif "-lar mıdur": fire-worshipping Hindu tresses, sorcerous eyes, a forelock scented like the night-flower, and common ground with his brother Cihangir.
Prince Bayezid's ghazal "hoş mıdur", asking the morning breeze after his father Süleyman: a sâhib-kırân marching on the Kızılbaş and a son kept far from his service.
Prince Bayezid's ghazal that opens with a dialogue: a beloved who says "that is your soul, go away", locks that keep their unbelief though cut, and fortune as an old crone.
Prince Bayezid's ghazal rhymed in "zâr u zâr, târ u mâr": locks turned to snakes, a treasure of the heart guarded by snakes, and an ant offering its soul to Süleyman Han.
Prince Bayezid's ghazal built on repetition: refrains such as "vefâdâr ol vefâdâr ol vefâdâr" and a plain plea that ends by wishing the beloved into the same love.
A ghazal by Prince Bayezid built on repetition: each second line says a word such as "zâr", "bî-karâr" or "intizâr" three times, cataloguing the states of the lover.
Prince Bayezid's nazire with the redif "geçer" on a ghazal by Firâkî of his Kütahya circle: the shifting senses of the refrain, school imagery and the anthology version.
A ghazal by Prince Bayezid in the tone of a prayer: the beloved as sovereign of the throne of beauty, a sun asked to visit the house of grief, and a disguise as a dervish.
A ghazal by Prince Bayezid opening with the images of Tûbâ and Kevser: couplets that move from simile to superiority, a star of fortune and a moon-faced beloved who never comes.
A ghazal by Prince Bayezid opening with a spring gathering: pearls of Aden in a ruby casket, a face turned yellow as gold, a cry of reproach and a poet who calls himself sweet-tongued.
A ghazal by Prince Bayezid built on images of the dervish lodge and Abraham: brands on the breast as candles at the hearth of love, the heart as a Kaaba, the beloved as a healer.
A ghazal by Prince Bayezid in which the word "mevzûn" unites stature and verse: a poetic cause for a red eye, a moaning reed flute and drum, and a kiss demanded as Ottoman tax.
The first of three ghazals by Prince Bayezid rhyming in "-estedür": a garden scene giving poetic causes to flowers, "joined" eyebrows and a thread of separation tied to union.
A ghazal by Prince Bayezid rhyming in "-estedür" with a line left incomplete in the manuscript: a heart bound to every strand of the locks, a Leylâ-night pun and an unopened rosebud.
The third of Prince Bayezid's ghazals rhyming in "-estedür": a cry that reaches the heavens but not the moon, a sigh-wind that could fell a sapling, and a lover keeping watch with dogs.
Prince Bayezid's ghazal with the redif "vardur": the word "mâ-cerâ" for tears flowing to a cypress stature, counsel given to the beloved, and a pain whose remedy is never found.
A ghazal thought to express Prince Bayezid's waiting for a letter from his father: a rose garden turned dungeon, a physician taking the pulse and a life-granting letter asked of the sultan.
Prince Bayezid's ghazal with the redif "bilür": a proverb on the master of every craft, Ferhad knowing the pleasure of love that the ruler Hüsrev never knew, and sleepless stars.
Prince Bayezid's ghazal with the redif "kılur": an army of grief plundering the realm of the heart, an infidel forelock plundering faith, a flood of tears and a sacrifice at the Kaaba.
Prince Bayezid's ghazal opening with the words "pâre pâredür": a stone-hearted beloved, a kiss paid for with the soul, and the pun on "mihr" that turns hidden love into the sun.
Prince Bayezid's ghazal with the redif "ideyor": the parrot of the heart wanting to escape the cage of the body, sweet speech recalling Şirin, and a parrot speaking before the mirror.
Prince Bayezid's short ghazal of separation with the redif "olupdur": tears turned to blood, the earth dyed rose-red, adjectives fitting both stature and verse, and a Leylâ-Mecnun pun.
Prince Bayezid's ghazal with the redif "irişdür", entrusting a letter to the morning breeze; for Kılıç, one of the poems voicing a son awaiting his father's reply.
Prince Bayezid's ghazal on a heart gone mad for "a shah named Süleyman": candle and moth, sleepless nights, an answer to the ascetic and the ruined house of the heart.
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