Prince Bayezid's ghazal with the refrain "I long to see you": in Kılıç's reading, a servant left in a land of exile longing to see his padishah, his father Süleyman the Magnificent.
Prince Bayezid's nazire to a ghazal by Zihnî: images of madness and light, a text whose closing couplet with the pen name survives only in the Pervâne Bey Mecmuası, and chain-like locks.
Prince Bayezid's ghazal on a difficult "-îşe" rhyme: an arrow of the glance that passes without breaking, a sigh that yellows the forest and Ferhad, punished for revealing love's secret.
Prince Bayezid's ghazal in which he calls himself the Khusraw of love: the meadow of the cheek, a mouth that silences the bud, the sky's golden basin, the new beloved and old wine.
Prince Bayezid's ghazal opening with the garment of seclusion: the head of love's realm in the corner of non-being, a coarse blanket not traded for a robe, the garment of separation.
Prince Bayezid's four-couplet ghazal: a blank left in the manuscript after the third couplet, a heart whose water is tears and whose food is grief, an eye on the beloved's foot.
Prince Bayezid's ghazal with the refrain "the separation from": a lover parted from a cypress-like beloved, and perhaps from a lordship and a homeland, lamenting in the corner of grief.
Prince Bayezid's nine-couplet ghazal with the refrain "where is": the rose without a thorn, Shaddad's mansion, Ferhad's mountain and a promise once made to a servant and not kept.
Prince Bayezid's ghazal of a lover burning and crying "woe is me": longing hotter than grief, the unfinished "but her mouth", and a cypress and a shroud of roses for his grave.
Prince Bayezid's ghazal with the refrain "but": a lover who knows no wealth, provision, gift or wish but the beloved, and a nightingale whose place is nowhere but the rose garden.
Prince Bayezid's nine-couplet ghazal with the refrain "like": a beloved with Alexander and Darius among her slaves, and the pomp of kingship as an empty quarrel beside union.
Prince Bayezid's ghazal with the refrain "erenleri": the prince rejected by the Ottomans is welcomed by the erens of Persia, and the last couplet turns the hope of pardon to Rum.
Prince Bayezid's last Turkish ghazal, thought to have been written in captivity in Iran: the cage of the body, the bell of the caravan of death and a final plea to a generous shah.
Prince Bayezid's Persian ghazal, held to be a nazire to Hâfız: it speaks of severing Tahmasb's head and taking Samarkand and Bukhara, and reached the shah, says Solakzâde.
Prince Bayezid's Persian ghazal with the refrain "nîst": the tale of Khosrow and Shirin becomes the poet's own story, eyelashes comb the beloved's tresses and love demands a ghazal.
Prince Bayezid's Persian ghazal with the refrain "nîst": the afflicted want no cure, the lover no water of life, and the closing couplet plays on the word "ân", indefinable charm.
Prince Bayezid's Persian ghazal with the refrain "şod": tresses that tread on the Mushaf of the face, a crescent turned full moon and a lover moaning like the nightingale.
Prince Bayezid's Persian ghazal with the refrain "heme dânend": the trace of a face in the rose, a scent in Khotan musk and the passion for black hair; now everyone knows of this love.
Prince Bayezid's Persian ghazal with the refrain "üftâd": hair tangled by sighs, tears poured like Zamzam around the Kaaba of the street and a warning about the cup of Jamshid.
Prince Bayezid's Persian prayer ghazal with the refrain "şod": a sin past all bounds, a world laid low by wrath, a hand from the well of sin and the hope of leaving rebellion.
Prince Bayezid's Persian prayer ghazal, almost a twin of Persian Ghazal 7: guilt beyond number, a heart pressed like a bud, a face red as a tulip and a closing word of thanks.
Prince Bayezid's Persian ghazal with the refrain "henûz": a lover left wingless in pursuit of a Huma-like beloved, stripped of his wealth, who counts even a stone at his head a favour.
Prince Bayezid's Persian ghazal without a redif: heart and faith lost to a silver-eared idol, the peace of hearts who steals peace, a sip from a ruby lip and the cypress's shade.
Prince Bayezid's Persian ghazal closing with Arabic phrases: a beloved fairer than any child of Rıdvan and a houri, and a closing couplet that backs a plea for a kiss with a verse.
Prince Bayezid's Persian ghazal with the refrain "men": tresses that steal faith, a pain no remedy in Avicenna's Kânûn and Şifâ can cure, and a petition at the gate of a sultan.
Prince Bayezid's Persian ghazal on which Çeşmî wrote a tahmis: pain from the heavens, no loyalty from kin, tears like the Oxus and a plea to the shah of the world to ask after him.
Prince Bayezid's Persian ghazal with the refrain "men": a bud-mouthed, rose-cheeked beloved, an exhausted reply to the advice that patience finds loyalty, and a heart taken by one glance.
Prince Bayezid's Persian ghazal addressed to the "sultan of sea and land": a poem of reproach to a ruler who raises his enemy's worth and does not hear the cries of his servant.
Prince Bayezid's Persian ghazal with the refrain "hemîşe": a beloved watched from afar, a vision in which seer and seen are one, and a warning not to be proud of transient fortune.
The last of Prince Bayezid's Persian ghazals: a beloved who is God's shadow over the realm of beauty, sovereignty without love counted a fable, and a double meaning on the word "Şâhî".
Prince Bayezid's only Turkish nazm in the divan: a tongue that pours out pearls, a lip that is a mine of jewels, and the fever and distress that tresses and cheek bring day and night.
Prince Bayezid's two-couplet Persian nazm: a servant who cannot obey God as is due even for a moment, lacks the strength to reform his self and finds no rest in the palace of trouble.
Prince Bayezid's two-couplet Persian nazm: the "I" who committed a great sin and the "you" who forgives and shows mercy; a Persian voicing of the plea for pardon in Turkish Mesnevi 3.
Prince Bayezid's only Persian nazm bearing his pen name: a register of fortune blackened by guilt and rebellion, and crown, throne and treasure worthless without God's pardon.
Prince Bayezid's single-couplet müfred: a prince who finds the pain of love a treasure in the corner of affliction and proclaims himself sultan only of the realm of love.
Prince Bayezid's single-couplet müfred: every strand of the beloved's scattered forelock turns into a snake; the couplet rests on the pun between "târ ü mâr" and "târı mâr".
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