Prince Bayezid's ghazal with the redif "sever" in the short remel pattern: a proverb-like maxim in every couplet, a moon in the sky and union set above paradise.
Prince Bayezid's ghazal of exile with the redif "sefer"; according to Kılıç it may voice his distance from Istanbul or his forced departure for Iran.
Prince Bayezid's ghazal from the last leaves of the manuscript: the pun on "sende" and "bende", burning tulip and rose, the heart as a ball before the polo stick.
Prince Bayezid's longest ghazal: in twenty-nine couplets a beloved arriving in Rûm, Hallâc's gallows, a kaside-like prayer and a Bâkî ghazal added after it.
Prince Bayezid's ghazal with the redif "ele girmez": the peerless beloved, physician and patient, the proverb of the thornless rose and the cheap bargain of life for a lip.
Prince Bayezid's ghazal reproaching a shah who sends his servant no letter; Kılıç cites its opening couplet as the voice of a son awaiting his father's reply.
Prince Bayezid's ghazal with the redif "isterüz" that sets love aside and seeks renown: the aspiration of Alexander, Solomon's seal and the wish to rule with justice.
Prince Bayezid's ghazal with the redif "olmaz": a heart flowing to the beloved with its tears, a stature bent by the bow of cruelty and a consolation that nothing lasts.
Prince Bayezid's ghazal with the redif "bilürüz": the beloved's door as the Kaaba, an answer to the city's sheikh, Solomon and the ant, and sovereignty as an empty quarrel.
Prince Bayezid's ghazal with the redif "olmışuz", opening in a dervish's voice: the heart refined in the crucible, the lodge of love and the lover struck mute.
Prince Bayezid's ghazal opening with rancour towards the world: the broken mirror of the heart, a grain of shame on the threshing floor and an old fortune lost.
Prince Bayezid's ghazal with the refrain "itmez": the falcon of the heart hooded with grief and tied by separation, the sword that pierces the shield of patience, hidden sorrow.
Prince Bayezid's ghazal spoken in the voice of "we": the lord of the land of nothingness, soldiers of calamity at his door, the sura of Ihlâs on the cheek and a sultan who forgets.
Prince Bayezid's nazire to Şeyhî with the refrain "istemez": a portrait of the contented man who rejects the pavilion, the feast, the water of life and the sultan's robe of honour.
Prince Bayezid's ghazal rhyming in "-es": the soul's bird in the cage of hair, the thorn beside the rosebud, the fly on the lip's wine and a morsel and cloak preferred to crown and throne.
Prince Bayezid's poem of four couplets recorded in the manuscript as an "unfinished ghazal": the lover who sees the world as a cage, the Jesus-breathed beloved and the fly on honey.
Prince Bayezid's third ghazal rhyming in "-es": a lover who has never laughed, a fly giving its life for honey, a cup going round in the rose season and a plea to the padishah.
Prince Bayezid's ghazal with the refrain "eylemiş": forelock and glance joining hands, beauty drawn in Joseph's form, the Allotter of Pre-eternity and its twin, ghazal 68.
Prince Bayezid's four-couplet ghazal with the refrain "eylemiş": the hunt of hair and glance, the allusion to "ahsen-i takvîm", divine attributes and its form as the short twin of ghazal 67.
Prince Bayezid's drinking ghazal rhyming in "-ûş": the ruby cup that carries the mind from head to foot, the robed cypress, the hair-thin waist and a poet lost in a sip of love.
Prince Bayezid's ghazal with the refrain "âteş": the smoke of a sigh that burns the world, separation worse than seven hells, tears like the Oxus and the Tatar hair that plunders.
Prince Bayezid's ghazal with the refrain "'arz": a lover who finds no one to present his state, the moaning nightingale, a secret kept from rivals and the ruby lip asked of the physician.
Prince Bayezid's ghazal with the refrain "haz", in a metre rare in the divan: the ascetic who takes no pleasure in beauty, the rose that enjoys lament and a beloved preferred to the houri.
Prince Bayezid's only Turkish ghazal ending in the letter "ayn": the events love brings, the sherbet of union, the poor heart returning to its origin and a glance drawing a sword.
Prince Bayezid's ghazal rhyming in "-ag": the tulip brand on the breast, the royal tent of the shah of love, a play on the word "sag" and a night lamp lit from the heart's fat.
Prince Bayezid's descriptive ghazal with the refrain "üzre her taraf": hyacinth hair on the cheek, a parrot spreading its wings in Rum, a Judas tree's shadow and tulips on the mountain.
Prince Bayezid's ghazal of wisdom without a beloved: a faithful friend not found in the world, liars and hypocrites, hungry dogs on carrion and the worldly ties that must be cut.
Prince Bayezid's witty ghazal: a beloved opening a mouth said not to exist, arrow-like glances, an indulged forelock and a faithful friend who, like the Ankâ, is only a name.
Prince Bayezid's ghazal with the refrain "'ışk": a passion that disgraces before the worlds, a breast pierced like the ney, the plundered shop of the body and a poet who speaks of love.
Prince Bayezid's ghazal with the refrain "'ışkun": a wound of love without cure, love's wine-drinker, a vagabond who has shaken off the world and a manifestation that burns the horizons.
Prince Bayezid's ghazal with the refrain "eyledün": a breast bleeding like the tulip, the Leylâ of the hair, a union reviving the dead and a poem made a pearl in the padishah's ear.
Prince Bayezid's eight-couplet ghazal with the refrain "eyledün": the joy and prayers of union, a beloved who makes servants khagans and the complaint of Şâhî kept far from his service.
Prince Bayezid's ghazal rhyming in "-âk": sorrowful heart, bloody liver and wet eye, union as antidote to separation and the lantern of the heavens turned by the smoke of sighs.
Prince Bayezid's ghazal with the refrain "yig": a beauty finer than bud, cypress, ruby and the pearl of Aden, a tulip in a bloody shroud and union measured against the tribute of Rum.
Prince Bayezid's ghazal with the refrain "eksük degül": slander from every side, the crooked sphere, prayer at the padishah's court and the saying that a servant never lacks error.
Prince Bayezid's ghazal of invitation with the refrain "oldı gel": a roasted breast, a soul within a hair's breadth, a rose garden turned prison and a closing couplet on coquetry's measure.
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