Prince Bayezid's ghazal of praise with the refrain "sen": the beloved as the Joseph and the Süleyman Han of beauty, and a heartfelt couplet calling the body a worn-out mould.
Prince Bayezid's ghazal that opens with death and ends with the grave: a prayer for the beloved's long life, a heart unafraid of Zülfikâr and a grave turned tulip garden.
Prince Bayezid's ghazal with the refrain "aglayayın": a beloved who laughs like the rose and a lover who weeps like the nightingale, accepting the land of separation as fate.
Prince Bayezid's ghazal that begins for the beloved and ends for Sultan Süleyman Han; Kılıç reads its closing couplet as praise of both the father and the poet's own verse.
Prince Bayezid's ghazal that uses the word "kara" as dry land in one couplet and as black hair in the next; a highwayman lock, bread drawn from stone and a shah who breaks his servant.
Prince Bayezid's ghazal with the refrain "olsun olmasun": a lover who accepts the beloved come what may, a love with no cure even in Avicenna's Canon, and a cup despite the Sufi.
Prince Bayezid's ghazal on a moment of farewell, as union slips away and separation comes; the lover asks the beloved to remember him every moment with a letter.
Prince Bayezid's ghazal on the inexpressibility of love through images of pores, a pickaxe, a dragon and a bird's nest; allusions to Ferhad, Mecnun and hidden treasure.
Prince Bayezid's twenty-couplet ghazal of reproach with the refrain "senden"; the names Tabriz, Karbala and the land of Persia suggest it may date from his years in Iran.
Prince Bayezid's ghazal addressed to the sky with the refrain "felek şimdengirü"; in the fourth couplet the poet says that torment comes from his own pure lineage.
Prince Bayezid's ghazal of question and answer with the refrain "bu": a cheek like the rose of paradise, a mole dressed as an ascetic, a brand as a token of love and a false promise.
Prince Bayezid's ghazal of pardon with the refrain "afv"; Kılıç holds it was written in Iran, the pardoning shah of its last couplet being Tahmasb and the padishah Süleyman.
Prince Bayezid's short ghazal setting the words renc and genc against each other: a beauty not even Rıdvan would hide, a patience beyond Ferhad's and a soul as thin as a hair.
Prince Bayezid's ghazal with the refrain "üzre": tulips on Mecnun's grave, a brow and eye like the letter nûn, and two bridges, one over the Aras and one over the Oxus.
Prince Bayezid's ghazal that opens with the picture of a spring gathering: a rose holding a cup, dew like wine, a drunken narcissus eye and a lover's warning about the burden of sin.
Prince Bayezid's ghazal of a lover whose sigh would burn the sun and moon like moths, who would not take world sovereignty without the beloved and who prays over his own death.
Prince Bayezid's ghazal of the gathering: wine that brings rose-garden delight even in winter, superfluous musicians and a charmer who snatches the heart as amber snatches straw.
Prince Bayezid's ghazal with the refrain "üzre": a mole like a fly on sugar, a lip that reaches the dying lover like Khidr, and the submission of "upon my eyes and head".
Prince Bayezid's ghazal on a moon-faced beloved seen in a city: a beauty with no equal in Samarkand or Bukhara, and a lip with the breath of Jesus that refuses to heal.
Prince Bayezid's ghazal of a lover who missed the feast of union; Kılıç places it among the poems awaiting the padishah's mercy, and its reed-flute couplet raised a Mevlevi question.
Prince Bayezid's ghazal with the refrain "eyle" that likens the beloved's brow to the crescent of the feast; a feast without union and pearls of verse offered to a heedless charmer.
Prince Bayezid's ghazal with the refrain "do not forget": a lover in the guise of nightingale, Jacob and Alexander, in what Kılıç reads as a plea probably addressed to Süleyman.
Prince Bayezid's ghazal of a lover coming to the beloved's threshold in a bloody shroud: a pain no letter can convey, Joseph's shirt and the one word that would open the heart's eyes.
Prince Bayezid's ghazal on love at first sight: a mad heart chained with the beloved's locks, a lover who teaches the moth to burn, and a comb allowed to touch the hair.
Prince Bayezid's ghazal with the refrain "ile", set in the frame of physician and lovesick patient: a wound no ointment heals, the cup of Cem and a beloved with the breath of Jesus.
Prince Bayezid's ghazal with the refrain "one day and one night": a lover who has not seen the beloved for a single day, searches the world for her and counts a day of union as paradise.
Prince Bayezid's ghazal with the refrain "within": a salamander in fire, a ship sunk in tears, a heart turned to dust and a love that would keep him company in the grave.
Prince Bayezid's ghazal in the language of sovereignty: Arab hair ruling as sultan in Rum, an ant army setting out to play Solomon and distant shahs ready to die as doorkeepers.
Prince Bayezid's ghazal with the refrain "for the love of": poison and heart's blood drunk for the beloved, a lover who has left his work, and a kiss asked "for the love of the Creator".
Prince Bayezid's ghazal likening the heart to a sea and tears to pearls cast on the shore: a soul lost in the curls of the locks, rust wiped from the mirror and sighs that burn the sky.
Prince Bayezid's ghazal on a heart mad for the beloved's hair and a soul that is the moth of her cheek: a love that eclipses Ferhad and Şirin, an image hidden as treasure in the heart.
Prince Bayezid's ghazal in which every couplet ends in a question: a mouth like the jewel box of Aden, lips that may or may not exist, and news asked of the morning breeze.
Prince Bayezid's ghazal with the refrain "itdi": a glance whose arrow is a kindness and whose dagger is a cure, and Şâhî, shah of a free realm, made a slave by the fair.
Prince Bayezid's ghazal with the refrain "has come", opening in joy: a voice heard in a dream, a desire-granting shah who says "let me bring him to his wish", and a union awaited.
Prince Bayezid's ghazal reproaching a shah who has turned to oppression: an unheard lament, a heart broken by the pickaxe of separation, Ferhad and Şirin, and an ascetic's lost litanies.
Prince Bayezid's ghazal with the refrain "I gave my heart": a lover surrendering to a beloved with a sorcerer's glance, lasso-like locks, a candle cheek and a blood-shedding eye.
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