Prince Bayezid's five-couplet ghazal in the short remel pattern: down and mole on the cheek, a mouth that may or may not exist and a waist beyond imagination.
Prince Bayezid's ghazal with the redif "gönül" making the heart the home of the 'Anqâ; it ends with the couplet Kılıç cites on the transience of crown and throne.
Prince Bayezid's nazire to Cem Sultan's ghazal "Kâse-i ömri", absent from the divan and taken from the Pervâne Bey Mecmuası: long hope, gazelle and ghazal.
One of Prince Bayezid's ten ghazals with the redif "benüm": the sun of beauty's sky, the Hümâ at the summit of disdain, a pun on arrow and bow and a face like an autumn leaf.
Prince Bayezid's ghazal sharing a redif and a whole line with the ninety-first ghazal: the swaying cypress, the flowing soul and the shah of the heart's throne.
Prince Bayezid's ghazal with the redif "benüm": an opening line of heart epithets, a nightingale in the rose garden and lines shared with ghazal 90.
Prince Bayezid's ghazal with the refrain "bilmen n'eyleyem": a lament in which every couplet ends with the same helpless question, a nightingale among thorns.
Prince Bayezid's ghazal with the redif "benüm": the poet addresses a letter dyed with bloody tears, calls himself the Hüsrev of love and finds his words rindâne.
Prince Bayezid's ghazal to a beloved swaying in the lands of Rûm, written from the land of separation; it ends by offering the pearl of poetry to a shah who knows speech.
Prince Bayezid's nazire to the ghazal his father Süleyman, as Muhibbî, wrote for his mother Hürrem Sultan: a catalogue of the beloved that ends with an ant.
Prince Bayezid's ghazal with the redif "benüm": a khan to visit the house of sorrows, the smoke of sighs painting the world sky-blue and a legend of love on every tongue.
Prince Bayezid's ghazal to a beloved he has long not seen, praised as the Hüsrev of the realm of poetry, closing with a prayer for fortune until the Resurrection.
Prince Bayezid's ghazal of thanksgiving with the redif "buldum": the joy of a reunion, overshadowed in the closing couplet by fear of the coming separation.
Prince Bayezid's short-metre ghazal in which he gives his soul as a reward for the greeting his shah sent him; its final word "dirlik" can be read in two ways.
Prince Bayezid's ghazal in which he proclaims himself padishah of the realm of grief, tells of idols turned to stone and ends on the faithlessness of the world.
Prince Bayezid's ghazal with the redif "benüm": a stature bent into a harp, a lament moving in the makam râst, a plea to the sultan for justice and a palace of grief.
Prince Bayezid's ghazal with the redif "benüm": a cry that reaches the sky but not the beloved, a plea to the sultan for justice and a legend outdoing Ferhâd and Mecnûn.
Prince Bayezid's ghazal with the redif "görmedüm": each couplet names something lost through separation, a sleepless night is recalled and a young beloved closes it.
Prince Bayezid's ghazal with the redif "itdüm": a lover leaves his homeland, hunts the uncatchable hümâ with the falcon of his poetry and dwells in fire like the salamander.
Prince Bayezid's ghazal with the redif "benüm": love from pre-eternity, a letter whose red ink is blood, a stature bent like the letter dâl and a faithless shah of the world.
Prince Bayezid's ghazal with the redif "benüm": the rose and the nightingale as equals, a lover unafraid of death and a servant faultless for years in the service of beauty.
Prince Bayezid's ghazal wishing to stand in service, hand on breast, and to rub his face at the beloved's feet; its wishes match murabbas Kılıç links to the father.
Prince Bayezid's ghazal with the redif "ideyin": a lover quotes words the beloved never said and, by the bloody eye's word, falls into the dungeon of the chin dimple.
Prince Bayezid's ghazal setting the beloved's lip above Khidr's water and Jamshid's cup; a twin poem written on the same ground as ghazal 110.
Prince Bayezid's twin ghazal to ghazal 109, sharing its ground and one whole line, in which a single reply from the beloved is worth more than a thousand cups of Jamshid.
Prince Bayezid's ghazal with the redif "oda yansun": a blaze from the lover's sigh spreads to his breast, the sky, Jacob's hut of sorrows and the candle of the night.
Prince Bayezid's ghazal with the redif "var iken": a prince who counts crown and throne as a straw complains of being held lower than others at a just shah's door.
Prince Bayezid's ghazal opening with the proverb that no faithfulness comes from a tyrant shah: a heart-bird caught in the lock's snare and a lover rivalling Ferhâd and Mecnûn.
Prince Bayezid's short ghazal with the refrain "kaçma benden": a lover calls the departing beloved by a new name in each couplet and likens himself to abandoned Hüsrev.
Prince Bayezid's ghazal with the redif "eylesün": lovers are called to complain at the court of the shah of beauty, love is told as prayer and ablution, all rhymes in one pattern.
Prince Bayezid's ghazal portraying the beloved through gold, silver, quince, pistachio and apple, ending with the chain of a thieving lock of hair.
Prince Bayezid's ghazal on a beloved who ruins the realm of the heart with the poet's tears; in the closing couplet the poet says he is gathering his verses into a divan.
Prince Bayezid's ghazal with the refrain "etegin": the idiom of clinging to the beloved's skirt takes a new sense in every couplet, from Mansûr's gallows to a stolen kiss.
Prince Bayezid's ghazal that opens with a cup and closes with the upturned cup of the sky: the poison of time, a lover moaning like the flute, and a faithless heaven.
Prince Bayezid's ghazal with the refrain "illerin": a heart wandering from Isfahan kohl to Badakhshan rubies, and a fifth couplet calling a shah to the lands of Karaman.
Prince Bayezid's ghazal with the refrain "ben": a lover burning in separation, distraught like Mecnun and sweet-tongued like a parrot, in a closing couplet Kılıç cites.
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